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Bomba Dance in Guaynabo, Puerto Rico. Bomba was developed in Puerto Rico during the early European colonial period. The first documentation of bomba dates back to 1797: botanist André Pierre Ledru described his impressions of local inhabitants dancing and singing popular bombas in Voyage aux îles de Ténériffe, la Trinité, Saint-Thomas, Sainte-Croix et Porto Ricco.
Puerto Rico's dance and music has emerged from the ritualized celebrations of the island's indigenous people to a diverse range of blended genres adapted from all over the world. Before the arrival of European explorers, the Taíno Indians, who were the island's first inhabitants, used music and dance for traditional celebrations. These ...
These influences are evident in the fields of dance and music, such as la bomba, la plena, and most recently in reggaeton, which is an Afro-Caribbean based Puerto Rican genre, as well as influences in Puerto Rican Spanish, and Puerto Rican cuisine.
The music culture in Puerto Rico during the 16th, 17th, and 18th centuries is poorly documented. Certainly, it included Spanish troubadour, church music, military band music, and diverse genres of dance music cultivated by the jíbaros and enslaved Africans and their descendants.
The festival centers on the danza, a musical genre native from the city of Ponce and oftentimes called "Puerto Rico's classical music" [7] with rhythm, tune, and cadence that are similar to the waltz. [8] The celebration lasts a week and takes place in mid-May. It is sponsored by the Ponce Municipal Government and the Institute of Puerto Rican ...
The Carnaval de Ponce (English: Ponce Carnival), officially Carnaval Ponceño, is an annual celebration of the Carnival holiday held in Ponce, Puerto Rico.The celebration lasts one week, and like most observations of the holiday ends on Fat Tuesday (Mardi Gras Day, the day before Ash Wednesday).
The folklore of Puerto Rico prominently features the blend of music, dance, religion, spirits, monsters, natural forces and the mystery of the unknown. These are often framed within the context of historical circumstances and the multiculturalism that characterizes a military enclave and trading outpost.
Margarita "Tata" Cepeda (born 1945) is a Puerto Rican dancer, singer, teacher, and cultural icon known for her lifelong dedication to preserving and promoting the traditional Afro-Puerto Rican music and dance forms of bomba and plena. Affectionately nicknamed "La Mariposa de la Bomba" (The Butterfly of Bomba), Cepeda is celebrated for her ...