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The Korg Poly-800 is an 8-voice analog synthesizer released by Korg in 1983. Its initial list price of $795 made it the first fully programmable polyphonic synthesizer that sold for less than $1,000. [1] It was designed for portability, featuring battery power and a lightweight design that allowed the user to play with it strapped around their ...
The Jupiter-8 is an 8-voice polyphonic analog synthesizer. Each voice features two discrete VCOs with cross-modulation and sync, pulse-width modulation, a non-resonant high-pass filter, a resonant Low-pass filter with 2-pole (12 dB/octave) and 4-pole (24 dB/octave) settings, an LFO with variable waveforms and routings, and two envelope generators (one invertible).
These synthesizer models were logically named the Oberheim Oberheim Two Voice (TVS) and Four Voice (FVS). In 1976, Oberheim introduced the Polyphonic Synthesizer Programmer (PSP-1), an optional module which made possible the storage and recall of most of the SEM's parameters, as well as the ability to glide from one note or chord to another ...
The Yamaha CS-80 is an analog synthesizer introduced by Yamaha Corporation in 1977. [2] It supports true 8-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers (rather than the digital ...
On “Intro”, Gucci Mane, Lil Yachty and Migos "effortlessly trade bars" and "encapsulate everything Quality Control is about." [6] The album reflects much of rap "moving to funkier pastures after a decade of monolithic trap beats" such as "Like That", where Mustard "chops up some New Orleans bounce" with Miami's City Girls, the U.K.’s Stefflon Don and South Carolina’s Renni Rucci.
It was released alongside the PS-3100, a more compact variant featuring a complete synthesizer voice board for each of its 48 keyboard notes. The PS-3300 essentially combines three PS-3100 units, triggering all voices simultaneously with each key press and mirroring the PS-3100's overall design, featuring a total of 144 synth voices.
The Korg Polysix (PS-6) is a six-voice polyphonic analog synthesizer released by Korg in 1981. It was one of the first affordable polyphonic synthesizers on the market, and was released as a cheaper alternative to the Sequential Prophet-5 and Oberheim OB-X, priced at approximately a third of the cost of its contemporaries in the polysynth market. [2]
A shorter edit of the title song "Release" was released in 1999 on the soundtrack for the American horror film Stigmata. [3] In 2000, Real World issued a single of the title track containing a remix of Rollo Armstrong and two remixes of Masters at Work .