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The Christmas Pantomime colour lithograph book cover, 1890, showing harlequinade characters. Pantomime (/ ˈ p æ n t ə ˌ m aɪ m /; [1] informally panto) [2] is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser ...
A William Hogarth painting based on The Beggar's Opera (c. 1728), a key antecedent of musical theatre. Development of musical theatre refers to the historical development of theatrical performance combined with music that culminated in the integrated form of modern musical theatre that combines songs, spoken dialogue, acting and dance.
A mime artist, or simply mime (from Greek μῖμος, mimos, "imitator, actor"), [1] is a person who uses mime (also called pantomime outside of Britain), the acting out of a story through body motions without the use of speech, as a theatrical medium or as a performance art.
American pantomime, panto for short, refers to works of theatrical entertainment that have been presented in the United States of America since 1876. The works are derived from the entertainment genre of pantomime that developed in England, presented either as they are in Britain or adapted for the American stage and tailored to American audiences.
The traditional Aladdin pantomime is the source of the well-known pantomime character Widow Twankey (Aladdin's mother). In pantomime versions, changes in the setting and story are often made to fit it better into "China" (albeit a China situated in the East End of London rather than medieval Baghdad ), and elements of other Arabian Nights tales ...
A pantomime dame is a traditional role in British pantomime. It is part of the theatrical tradition of travesti portrayal of female characters by male actors in drag . Dame characters are often played either in an extremely camp style, or else by men acting butch in women's clothing.
In 1949, following his receipt of the Deburau Prize (established as a memorial to the 19th-century mime master Jean-Gaspard Deburau) for his second mimodrama, Death before Dawn, Marceau founded Compagnie de Mime Marcel Marceau, the only company of pantomime in the world at the time.
The Cerealia were celebrated in ancient Rome with a ceremony and then with the ludi cerealici in the Circus Maximus (painting by Lawrence Alma-Tadema, 1894).. The spectacles in ancient Rome were numerous, open to all citizens and generally free of charge; some of them were distinguished by the grandeur of the stagings and cruelty.