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It is the human creature, therefore, and not God, who engenders hell. Created free for the sake of love, man possesses the incredible power to reject this love, to say 'no' to God. By refusing communion with God, he becomes a predator, condemning himself to a spiritual death (hell) more dreadful than the physical death that derives from it."
Now a large herd of swine was feeding at some distance from them. The demons begged him, "If you cast us out, send us into the herd of swine." And he said to them, "Go!" So they came out and entered the swine; and suddenly, the whole herd rushed down the steep bank into the sea and perished in the water. —
As the doctrines of heaven and hell (and also Catholic purgatory) developed, non-canonical Christian literature began to develop an elaborate mythology about these locations. Dante's three-part Divine Comedy is a prime example of such afterlife mythology, describing Hell (in Inferno), Purgatory (in Purgatorio), and Heaven (in Paradiso ...
Christian writers from Tertullian to Luther have held to traditional notions of Hell. However, the annihilationist position is not without some historical precedent. Early forms of annihilationism or conditional immortality are claimed to be found in the writings of Ignatius of Antioch [10] [20] (d. 108/140), Justin Martyr [21] [22] (d. 165), and Irenaeus [10] [23] (d. 202), among others.
[b] The term 'Harrowing of Hell' refers not merely to the idea that Jesus descended into Hell, as in the Creed, but to the rich tradition that developed later, asserting that he triumphed over inferos, releasing Hell's captives, particularly Adam and Eve, and the righteous men and women of the Old Testament period.
[13] [11] The medieval tale holds that Christ spent the time between his crucifixion and resurrection down in Hell, setting the Devil's captives free with the irresistible power of his divine light. The motif, Steed suggests, involves multiple elements: 1) someone imprisoned in darkness 2) a powerful and evil jailor 3) a still more powerful ...
The Testament of Solomon is a pseudepigraphical work, purportedly written by King Solomon, in which the author mostly describes particular demons who he enslaved to help build the temple, the questions he put to them about their deeds and how they could be thwarted, and their answers, which provide a kind of self-help manual against demonic activity.
In addition to the use of world history and the expansion of Biblical books, additional vehicles for the adornment of Biblical tales were popular sagas, legends, and fairy tales. These provided elaborate views of a dualistic creation where the Devil vies with God, and creates disagreeable imitations of God's creatures like lice, apes, and women ...