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The term culture industry (German: Kulturindustrie) was coined by the critical theorists Theodor Adorno (1903–1969) and Max Horkheimer (1895–1973), and was presented as critical vocabulary in the chapter "The Culture Industry: Enlightenment as Mass Deception", [1] of the book Dialectic of Enlightenment (1947), wherein they proposed that popular culture is akin to a factory producing ...
Contemporary sociologists' approach to culture is often divided between a "sociology of culture" and "cultural sociology"—the terms are similar, though not interchangeable. [2] The sociology of culture is an older concept, and considers some topics and objects as more or less "cultural" than others.
Marxist cultural analysis has commonly considered the industrialization, mass-production, and mechanical reproduction of culture by the "culture industry" as having an overall negative effect on society, an effect which reifies the self-conception of the individual.
Cultural homogenization is an aspect of cultural globalization, [1] [2] listed as one of its main characteristics, [3] and refers to the reduction in cultural diversity [4] through the popularization and diffusion of a wide array of cultural symbols—not only physical objects but customs, ideas and values. [3]
The masses have become conditioned by the culture industry, which makes the impact of standardization far more widespread. Not recognizing the impact of social media and commercial advertising, the individual is caught in a situation where conformity is the norm: "During consumption the masses become characterized by the commodities which they ...
Cultural institutions studies (a translation of the German term Kulturbetriebslehre) is an academic approach "which investigates activities in the cultural sector, conceived as historically evolved societal forms of organising the conception, production, distribution, propagation, interpretation, reception, conservation and maintenance of specific cultural goods".
Culture theory is the branch of comparative anthropology and semiotics that seeks to define the heuristic concept of culture in operational and/or scientific terms. Overview [ edit ]
Hence, culture has turned into an industry and the cultural objects are looked at as products. One of the characteristics of cultural industry is that it intentionally integrates both the high and low art. By referring to the term "industry", Adorno does not point to the production process.