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The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as responsible for Christ's death. In more modern times, crucifixion has appeared ...
The Three Crosses is a 1653 print in etching and drypoint by the Dutch artist Rembrandt van Rijn, which depicts the crucifixion of Jesus Christ. Most of his prints are mainly in etching and this one is a drypoint with burin adjustments from the third state onwards. [1] It is considered "one of the most dynamic prints ever made".
The Patron Saints of Naples Adoring Christ on the Cross. Crucifixion (Perugino and Signorelli) Saint Augustine Altarpiece (Piero della Francesca) Crucifixion between Sts. Jerome and Christopher. Pisa Altarpiece. Pistoia Santa Trinità Altarpiece. Polyptych of the Misericordia.
M.J. Albacete, retired executive director of the Canton Museum of Art, has given numerous presentations on the life of Jesus in art. "If we carry it through to the glorious episode of the ...
Medium. oil on canvas. Dimensions. 249 cm × 170 cm (98 in × 67 in) Location. Museo del Prado, Madrid. Christ Crucified is a 1632 painting by Diego Velázquez depicting the Crucifixion of Jesus. The work, painted in oil on canvas, measures 249 × 170 cm and is owned by the Museo del Prado.
The Isenheim Altarpiece is an altarpiece sculpted and painted by, respectively, the Germans Nikolaus of Haguenau and Matthias Grünewald in 1512–1516. [1] It is on display at the Unterlinden Museum at Colmar, Alsace, in France. It is Grünewald's largest work and is regarded as his masterpiece.
Adoration of the Trinity. Albani Torlonia Polyptych. The Allegory of Faith. Altarpiece of Saint Barbara (Pérez) Altarpiece of the Saints John. Calvary (Amstel) Calvary (Antonello da Messina) Crucifixion (Antonello da Messina) Apocalypse in Lilac, Capriccio.
The painting in its current frame, hanging in the National Gallery. The Latin form of Pilate's words, "Behold the man", has given the title Ecce Homo to this picture. It is the moment when Jesus comes forth from the rude mockery of the soldiers, clad in a royal robe, and wearing the crown of thorns.