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That same year, the pleated heart motif was used by Swedish artist Carl Larsson in the lithograph Brita as Idun. [ 3 ] It is believed that Danish kindergartens from around 1910 started spreading the use of the pleated Christmas hearts, which were made from glossy paper in order to enhance the children's creative abilities, patience, and fine ...
Τypographic ornament in ancient city of Kamiros in Rhodes island, Greece. Flower decorations are among the oldest typographic ornaments. A fleuron can also be used to fill the white space that results from the indentation of the first line of a paragraph, [4] on a line by itself to divide paragraphs in a highly stylized way, to divide lists, or for pure ornamentation. [5]
Headpiece from "Triodion", a religious manuscript from 1642. Headpiece (also spelled head-piece), is a decoration printed in the blank space at the beginning of a chapter or other division of a book, usually an ornamental panel, printer's ornament or a small illustration done by a professional illustrator.
Art Deco, short for the French Arts décoratifs (lit. ' Decorative Arts '), [1] is a style of visual arts, architecture, and product design, that first appeared in Paris in the 1910s (just before World War I), [2] and flourished in the United States and Europe during the 1920s to early 1930s.
The male lion has his right front paw on a type of cloth ball simply called an "embroidered ball" (繡球; xiù qiú), which is sometimes carved with a geometric pattern. The female is essentially identical, but has a cub under the left paw, representing the cycle of life.
In the Roman temple, the extravagant use of ornament served as a means of self-glorification, as scholar Owen Jones notes in his book chapter, Roman Ornament. Roman ornament techniques include surface-modeling, where ornamental styles are applied onto a surface. This was a common ornamental style with marble surfaces. [8]
The patterns used often featured heart-shaped designs, or included a sentimental expression of love spelled out in small shells. The making of shell work artifacts is a practice of Aboriginal women from La Perouse in Sydney , dating back to the 19th century.
The Mande-speaking peoples of the same region make pieces from wood with broad, flat surfaces and arms and legs shaped like cylinders. In Central Africa, however, the main distinguishing characteristics include heart-shaped faces that are curved inward and display patterns of circles and dots.
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