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The Swiss-born art historian Heinrich Wölfflin (1864–1945) started the rehabilitation of the word Baroque in his Renaissance und Barock (1888); Wölfflin identified the Baroque as "movement imported into mass", an art antithetic to Renaissance art. He did not make the distinctions between Mannerism and Baroque that modern writers do, and he ...
A Venn diagram is a widely used diagram style that shows the logical relation between sets, popularized by John Venn (1834–1923) in the 1880s. The diagrams are used to teach elementary set theory, and to illustrate simple set relationships in probability, logic, statistics, linguistics and computer science.
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. [1] The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. [ 2 ]
Note: there is overlap with what is considered "contemporary art" and "modern art." Contemporary Greek art – 1945 Greece; Vienna School of Fantastic Realism – 1946, Austria; Neo-Dada – 1950s, international; International Typographic Style – 1950s, Switzerland; Soviet Nonconformist Art – 1953 – 1986, Soviet Union
Likeness and Presence: A History of the Image before the Era of Art. Edmund Jephcott. University of Chicago Press. ISBN 0-226-04215-4. Mark Getlein, Living With Art, 8th edition. Gombrich, E.H., The Story of Art, Phaidon, 1995. ISBN 0-7148-3355-X; Christine Buci-Glucksmann, Baroque Reason: The Aesthetics of Modernity, Sage, 1994; Michael Kitson ...
Diagram of a Baroco syllogism. In Aristotelian logic, baroco is a mnemonic word used to memorize a syllogism. Specifically, it has the first proposition universal and affirmative, but the second and third particular and negative, and the middle term the attribute in the two first. For example, Every virtue is attended with discretion.
In modern logic, this is not assumed so the faded ones do not hold. (There can be no element in the faded red areas in the modern logic.) Depiction from the 15th century. In term logic (a branch of philosophical logic), the square of opposition is a diagram representing the relations between the four basic categorical propositions.
Artemisia Gentileschi, Judith Slaying Holofernes, 1614–20, Oil on canvas 199 x 162 cm, Uffizi, Florence. Italian Baroque art was a very prominent part of the Baroque art in painting, sculpture and other media, made in a period extending from the end of the sixteenth to the mid eighteenth centuries. [1]