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  2. Backdoor progression - Wikipedia

    en.wikipedia.org/wiki/Backdoor_progression

    Backdoor compared with the dominant (front door) in the chromatic circle: they share two tones and are transpositionally equivalent. In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression [1] [2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker.

  3. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    I–V–vi–IV chord progression in C: 4: Major ... vii o 7 /V–V–I (common in ragtime) vii o 7 /V–V–I: 3: Major Andalusian cadence: iv–III ...

  4. Muda (Japanese term) - Wikipedia

    en.wikipedia.org/wiki/Muda_(Japanese_term)

    One of the key steps in lean process and TPS is to identify which activities add value and which do not, then to progressively work to improve or eliminate them. Taiichi Ohno, "father" of the Toyota Production System, originally identified seven forms of muda or waste: [6] Seven types of waste identified in lean manufacturing

  5. Half-diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Half-diminished_seventh_chord

    The half-diminished seventh chord is frequently used in passages that convey heightened emotion. For example, the "mournful affect" [5] of the sombre opening Chorus of J. S. Bach's St Matthew Passion (1727) features the chord on the seventh beat of its first bar and on the first beat of its third bar:

  6. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...

  7. Diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Diminished_seventh_chord

    Diminished seventh chords may also be rooted on scale degrees other than the leading-tone, either as secondary function chords temporarily borrowed from other keys, or as appoggiatura chords: a chord rooted on the raised second scale degree (D ♯ –F ♯ –A–C in the key of C) acts as an appoggiatura to the tonic (C major) chord, and one ...

  8. Seven basic tools of quality - Wikipedia

    en.wikipedia.org/wiki/Seven_Basic_Tools_of_Quality

    The seven basic tools of quality are a fixed set of visual exercises identified as being most helpful in troubleshooting issues related to quality. [1] They are called basic because they are suitable for people with little formal training in statistics and because they can be used to solve the vast majority of quality-related issues.

  9. Ragtime progression - Wikipedia

    en.wikipedia.org/wiki/Ragtime_progression

    3 chord above IV (in C, FAD) is a first-inversion II chord. [2] Play ⓘ The ragtime progression [ 3 ] is a chord progression characterized by a chain of secondary dominants following the circle of fifths , named for its popularity in the ragtime genre, despite being much older. [ 4 ]