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In Sonnet 27 the weary poet cannot find rest — not day or night. He goes to bed weary after working hard, which is the "toil" of line one, and the "travail" of line two. As soon as he lies down, another journey begins in his thoughts ("To work my mind") — the destination is the young man, who is far from where the poet is ("from far where I abide"
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Jeremy Bentham's severed head, on temporary display at UCL. The auto-icon was therefore given a wax head, fitted with some of Bentham's own hair. The real head was displayed in the same case as the auto-icon for many years, but became the target of repeated student pranks. It was later locked away. [106]
Imaginary Worlds by Lin Carter, Ballantine Books, 1973. The Ballantine Adult Fantasy series was an imprint of American publisher Ballantine Books.Launched in 1969 (presumably in response to the growing popularity of Tolkien's works [1]), the series reissued a number of works of fantasy literature which were out of print or dispersed in back issues of pulp magazines (or otherwise not easily ...
He fabricated the author (Frederick R. Ewing) of this imaginary novel, concocted a title (I, Libertine), and outlined a basic plot for his listeners to use on bookstore clerks. Fans of the show took it further, planting references to the book and author so widely that demand for the book led to unsupported claims of its inclusion on The New ...
A data imaginary is a particular framing of data, according to Kitchin consisting of "how [data] are understood and normatively conceived of within a population or by stakeholders." [ 1 ] It is a social constructivist theoretical concept that comes from the field of critical data studies, which is concerned with identifying these frames and ...
Head-driven phrase structure grammar (HPSG) is a highly lexicalized, constraint-based grammar [1] [2] developed by Carl Pollard and Ivan Sag. [ 3 ] [ 4 ] It is a type of phrase structure grammar , as opposed to a dependency grammar , and it is the immediate successor to generalized phrase structure grammar .
Stanisław Lem pictured at a typewriter in 1966. Stanisław Lem's fictitious criticism of nonexistent books may be found in his following works: in three collections of faux reviews of fictional books: A Perfect Vacuum (Doskonała próżnia, 1971), Provocation (Prowokacja, 1984), and Library of 21st Century (Biblioteka XXI wieku, 1986) translated as One Human Minute, and in Imaginary Magnitude ...