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The key differences between making jewelry by wire wrapping and other approaches to making jewelry are two-fold; Wire wrapped jewelry is made of wire and sometimes findings similar to wire (head-pins, jump rings, etc.) Wire wrapped jewelry is made using mechanical connections between components and without soldering or other heat treatments.
This page was last edited on 6 February 2025, at 11:20 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The hammered dulcimer (also called the hammer dulcimer) is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a ...
A type of Hammer dulcimer Yangqin: China Pitched Chordophone Type of hammered dulcimer. Yuka: Congo Unpitched Membranophone Made from a hollowed out avocado trunk with a leather membrane. Zabumba: Brazil Unpitched 211.212.1 Membranophone Zatula: Ukraine Unpitched 112.2 Idiophone Zill: Asia, Saudi Arabia, Turkey Unpitched 111.142 Idiophone
Hammered dulcimer; Harpejji; Jhallari; Khim (Thailand and Cambodia) Piano (Keyboard instrument) Santur/Santoor (Persia, India, Pakistan, Greece) Tsymbaly (Ukraine) Utogardon (Hungary) Warr guitar; Yanggeum (Korea) Yangqin (China)
A yangqin on a stand. The trapezoidal yangqin (simplified Chinese: 扬琴; traditional Chinese: 揚琴; pinyin: yángqín; Jyutping: joeng4 kam4) is a Chinese hammered dulcimer, likely derived from the Iranian santur or the European dulcimer.
Bracelet and necklace wire components are generally made out of wire that is 16-, 18- or 20-gauge (1.3 to 0.8 mm). Earring wires are usually made out of 18- or 20-gauge wire (1.0 to 0.8 mm). When making wire wrapped jewelry, these components are connected to one another with wire that is generally 20- to 26-gauge (0.8 to 0.4 mm). Frequently the ...
Paul Gifford and Karl-Heinz Schickhaus have researched the salterio in 18th century Italy; there are instruments with up to eight strings per course (i.e. 8 strings tuned to the same note and played all together, like a 12-string guitar or the middle and upper notes of a piano), made in places like Venice, Florence, Brescia, Milan, and Triente [citation needed], and signed by ten different makers.
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