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Newman was born in Corsicana, Texas, United States, on February 24, 1933, but grew up in Dallas, where he studied first the piano and then the saxophone. [1] According to one account, he got his nickname "Fathead" in school when "an outraged music instructor used it as an epithet after catching Newman playing a Sousa march from memory rather than from reading the sheet music, which rested ...
Charles H. Templeton Sheet Music Collection: 19th-century, 20th-century, American, blues, foxtrots, Irving Berlin, minstrel songs, movie music, popular music, rags, show tunes, war songs: 5,000 Sheet music for popular tunes dating as far back as 1865. Items are scanned at 600 dpi and saved as a TIFF files. Mississippi State University
Stamps and Baxter operated a music school which was the primary source of the thousands of gospel songs they published. Another major part of the corporation was its sponsorship of gospel quartets who sang the company's music in churches throughout the southern United States. At the end of World War II they were sponsoring 35 such quartets.
Koz plays a Yamaha silver alto sax (YAS-62S Mk. I) with a No. 7 Beechler metal mouthpiece, a Yamaha straight silver Soprano sax (YSS-62S) or a vintage Conn curved soprano sax with a No. 8 Couf mouthpiece, and a Selmer Mark VI Tenor sax with a Berg-Larsen 90/2 hard rubber mouthpiece. As for reeds, he uses a No. 3 Rico Plasticover. [22]
Galgenlieder (Gallows Songs) for Saxophone Quartet and Choir (2014)—Lera Auerbach; Galgenlieder (Gallows Songs) for Saxophone Quartet and Children Choir (2015)—Lera Auerbach; I Saw Eternity for Soprano Saxophone and TTBB Choir (2012)—Paul Mealor; Making or Breaking for Soprano Saxophone and SSAATTBB Choir (2015)—Kim André Arnesen
Kenny G was born in Seattle, Washington and started playing the saxophone aged 10, inspired by a performance on The Ed Sullivan Show. He attended several schools in Seattle, including the University of Washington. During high school, he took private saxophone lessons and played in the school jazz band.
Early in the development of the saxophone the upper keyed range was extended to E, then to F above the staff; 1880s era sheet music for saxophone was written for the range of low B to F. In 1887 the Buffet-Crampon company obtained a patent for extending the bell and adding an extra key to extend the range downwards by one semitone to B ♭. [14]
Bergonzi first gained recognition as he became a frequent guest-artist on several Dave Brubeck ensemble tours and recordings during the 1970s, and he held the saxophone chair in the Dave Brubeck quartet from 1979 - 1982. [3] He recorded nine albums with Brubeck, from 1973 to 1981. [4] Bergonzi teaches at the New England Conservatory of Music in ...
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