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A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (), such as breaks and lifts within the voice.
The vocal timbres created by physical changes in the vocal fold vibrations and muscular changes in the laryngeal muscles are known as glottal configurations. [11] These configurations happen as a result of adduction and abduction of the glottis. A glottal configuration is the area in which the vocal folds come together when phonating.
Vocal range is the range of pitches that a human voice can phonate.A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. [1]
In discussing Spanish, Martínez Celdrán suggests setting up a third category of "spirant approximant", contrasting both with semivowel approximants and with fricatives. [11] Though the spirant approximant is more constricted (having a lower F2 amplitude), longer, and unspecified for rounding ( viuda [ˈb ju ða] 'widow' vs. ayuda [aˈ ʝʷu ...
[11] [12] It takes place in the larynx when the vocal folds are brought together and breath pressure is applied to them in such a way that vibration ensues causing an audible source of acoustic energy, i.e., sound, which can then be modified by the articulatory actions of the rest of the vocal apparatus.
In its physical aspect, singing has a well-defined technique that depends on the use of the lungs, which act as an air supply or bellows; on the larynx, which acts as a reed or vibrator; on the chest, head cavities and the skeleton, which have the function of an amplifier, as the tube in a wind instrument; and on the tongue, which together with the palate, teeth, and lips articulate and impose ...
A contralto (Italian pronunciation: [konˈtralto]) is a type of classical female singing voice whose vocal range is the lowest female voice type. [1]The contralto's vocal range is fairly rare, similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F 3 in scientific pitch notation) to the second F above middle C (F 5), although, at ...
A limitation of the study was that the vocal fry samples were produced by imitators rather than natural vocal fry speakers. The study was criticised by the linguist Rusty Barrett as the recordings used as stimuli were of participants imitating vocal fry, rather than of speakers who use it in their normal speaking voice. [18]