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John Ivan Simon (né Simmon; May 12, 1925 − November 24, 2019) was an American writer and literary, theater, and film critic.After spending his early years in Belgrade, he moved to the United States, serving in the United States Army Air Forces during World War II and studying at Harvard University.
John Simon (New York, Esquire) Gene Siskel (Chicago Tribune, Siskel & Ebert) David Sterritt (The Christian Science Monitor) Dana Stevens ; David Stratton (At the Movies) Elliott Stein (Village Voice) Amy Taubin ; Anne Thompson (Variety, The Hollywood Reporter) David Thomson; Desson Thomson (The Washington Post) Peter Travers (Rolling Stone)
John Simon (critic) (1925–2019), American author and critic John Simon (record producer) (born 1941), record producer for Columbia Records John F. Simon Jr. (born 1963), American artist and creator of Unfolding Object
In 1983, the two critics defended the Star Wars films against critic John Simon in an episode of ABC News Nightline. The film Return of the Jedi (1983) had hit theaters that summer and Simon was criticizing the film for "making children dumber than they need to be". Ebert responded saying:
John Simon (critic) Robert Simonson; Alison Smith (critic) Cecil Smith (writer) Larry Stark; Ashton Stevens; Dan Sullivan (critic) Steven Suskin; T. Howard Taubman ...
Lawrence D. Kritzman: Kritzman is a theorist of Renaissance literature and a cultural critic. Inspired by the thought of Jacques Derrida and psychoanalysis, he has innovated the study of sixteenth century texts. He holds the John D. Willard Professor of French, Comparative Literature, and Oratory at Dartmouth College. [citation needed]
The New Criterion is a New York–based monthly literary magazine and journal of artistic and cultural criticism, edited by Roger Kimball (editor and publisher) and James Panero (executive editor). It has sections for criticism of poetry, theater, art, music, the media, and books.
Moose Murders is a play by Arthur Bicknell, self-described as a mystery farce. [1] A notorious flop, it is now widely considered the standard of awfulness against which all Broadway failures are judged, [2] and its name has become synonymous with those distinctively bad Broadway plays that open and close on the same night. [3]