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The Investiture of the Gods, also known by its Chinese names Fengshen Yanyi (Chinese: 封神演義; pinyin: Fēngshén Yǎnyì; Wade–Giles: Fêng 1-shên 2 Yan 3-yi 4; Jyutping: Fung 1 San 4 Jin 2 Ji 6) and Fengshen Bang (封神榜), [note 1] is a 16th-century Chinese novel and one of the major vernacular Chinese works in the gods and demons (shenmo) genre written during the Ming dynasty ...
The classic Chinese novel Investiture of the Gods (also commonly known as Fengshen Yanyi) contains a register of deities (Chinese: 封神榜). According to Fengshen Yanyi, Yuanshi Tianzun ("Primeval Lord of Heaven") bestows upon Jiang Ziya the Fengshen bang (Register of Deities), a list that empowers him to invest in the gods of heaven. Through ...
Chinese mythology holds that the Jade Emperor was charged with running of the three realms: heaven, hell, and the realm of the living. The Jade Emperor adjudicated and meted out rewards and remedies to saints, the living, and the deceased according to a merit system loosely called the Jade Principles Golden Script (玉律金篇, Yù lǜ jīn piān
Xianxia (traditional Chinese: 仙俠; simplified Chinese: 仙侠; pinyin: xiānxiá; lit. 'immortal heroes') is a genre of Chinese fantasy heavily inspired by Chinese mythology and influenced by philosophies of Taoism, Chan Buddhism, Chinese martial arts, traditional Chinese medicine, Chinese folk religion, Chinese alchemy, other traditional elements of Chinese culture, [1] and the wuxia genre.
Woodcut illustration of Fenshen ganhua 分身感化 "Dividing the Body and Feeling the Transformation", from the c. 1680 The Secret of the Golden Flower. Fenshen 分身 (lit. "divide the body") or fenxing 分形 ("divide the physical form") was a legendary Daoist and fangshi Master of Esoterica technique for multilocation, that is, transforming or multiplying one's body into two or more ...
Yaoguai (Chinese: 妖怪; pinyin: yāoguài) represent a broad and diverse class of ambiguous creatures in Chinese folklore and mythology defined by the possession of supernatural powers [1] [2] and by having attributes that partake of the quality of the weird, the strange or the unnatural.
A late Ming commentary edition of The Story of Han Xiangzi A late Ming edition of The Eunuch Sanbao's Voyage to the Western Ocean, a blend of shenmo ("fantasy") and historical fiction Cover of an early 20th-century edition of Journey to the West (volume four) Cover of an early 20th-century edition of the Investiture of the Gods (volume two) Cover of Journey to the East, one of the Four ...
Feng Po Po (traditional Chinese: 風婆婆; simplified Chinese: 风婆婆; pinyin: Fēng Pópo; Wade–Giles: Fêng 1 P'o 2-p'o), also called Feng Popo or Feng Pho Pho, is the goddess of the wind in Chinese mythology who rules over storms and moisture. [1] She is referred to as "Madame Wind", and is usually depicted as a crone, old and wrinkled.