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In literature, the paradox is an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight. It functions as a method of literary composition and analysis that involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain their presence.
An antithesis must always contain two ideas within one statement. The ideas may not be structurally opposite, but they serve to be functionally opposite when comparing two ideas for emphasis. [4] According to Aristotle, the use of an antithesis makes the audience better understand the point the speaker is trying to make. Further explained, the ...
An oxymoron is a figure of speech in which a pair of opposite or contradictory terms is used together for emphasis. [27] Examples: Organized chaos, Same difference, Bittersweet. A paradox is a statement or proposition which is self-contradictory, unreasonable, or illogical. [28] Example: This statement is a lie.
An oxymoron (plurals: oxymorons and oxymora) is a figure of speech that juxtaposes concepts with opposite meanings within a word or in a phrase that is a self-contradiction. As a rhetorical device , an oxymoron illustrates a point to communicate and reveal a paradox .
Although statements can be self referential without being paradoxical ("This statement is written in English" is a true and non-paradoxical self-referential statement), self-reference is a common element of paradoxes. One example occurs in the liar paradox, which is commonly formulated as the self-referential statement "This statement is false ...
Dialetheism (/ d aɪ ə ˈ l ɛ θ i ɪ z əm /; from Greek δι-di-'twice' and ἀλήθεια alḗtheia 'truth') is the view that there are statements that are both true and false. More precisely, it is the belief that there can be a true statement whose negation is also true. Such statements are called "true contradictions", dialetheia, or ...
Since every statement has the contradictory opposite (its negation), and since a contradicting statement is true when its opposite is false, it follows that the opposites of contraries (which the medievals called subcontraries, subcontrariae) can both be true, but they cannot both be false. Since subcontraries are negations of universal ...
The relationship between overlapping antonyms is often not inherent, but arises from the way they are interpreted most generally in a language. There is no inherent reason that an item be presumed to be bad when it is compared to another as being worse (it could be "less good"), but English speakers have combined the meaning semantically to it ...