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It also highlights how music therapy could be used more to help people with treatment-resistant depression. “The study provides a deeper understanding of how music engages brain structures ...
In the context of psychology, a coping strategy is any technique or practice designed to reduce or manage the negative effects associated with stress. While stress is known to be a natural biological response, biologists and psychologists have repeatedly demonstrated that stress in excess can lead to negative effects on one's physical and psychological well-being. [3]
Another case, which studies a 74-year-old woman, described her symptoms as music that would play in short verses of patriotic and children's songs. [5] These symptoms would occur when the patient was alone and much more frequently when driving. Researchers suspected her hearing loss as a factor for developing the hallucinations.
Marcello Sorce Keller, "Expressing, Communicating, Sharing and Representing Grief and Sorrow with Organized Sound (Musings in Eight Short Sentences)", in Stephen Wild, Di Roy, Aaron Corn, and Ruth Lee Martin (eds.), Humanities Research: One Common Thread the Musical World of Lament, Australian National University, Vol. XIX (2013), no. 3, 3–14.
(Reuters Health) - Traditional depression treatments like psychotherapy or medication might work better for some patients when doctors add a dose of music therapy, a research review suggests.
Music therapy may be suggested for adolescent populations to help manage disorders usually diagnosed in adolescence, such as mood/anxiety disorders and eating disorders, or inappropriate behaviors, including suicide attempts, withdrawal from family, social isolation from peers, aggression, running away, and substance abuse.
Some may find classical music entertaining, while others prefer ambient music for relaxation. Cultural background can also shape an individual's perception and response to music stimuli. The concept of music and sleep, although applicable to the general population, needs to take into account these differences to tailor each individual's taste.
The third category, music of death, contains pieces where Liszt raised grief to high art. Memorials, elegies, funerals and other aspects of the grieving process find their place in this music. Again, a sampling of titles in this grouping: Funeral March for Emperor Maximilian; Seven Hungarian Historical Portraits; Széchenyi István (Lament)