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Samples of Display typefaces Typeface name Example 1 Example 2 Example 3 Action Is Designer: Jeff N. Levine : Ad lib Designer: Freeman Craw : Algerian Designer: Stephen Blake, Philip Kelly Class: Decorative : Allegro Designer: Hans Bohn: Andreas Designer: Michael Harvey: Architype Albers Designer: Josef Albers: Architype van der Leck Designer ...
A display typeface is a typeface that is intended for use in display type (display copy) at large sizes for titles, headings, pull quotes, and other eye-catching elements, rather than for extended passages of body text. [1] Display typefaces will often have more eccentric and variable designs than the simple, relatively restrained typefaces ...
Montserrat is a geometric sans-serif typeface designed by Argentine graphic designer Julieta Ulanovsky and released in 2011. It was inspired by posters, signs and painted windows from the first half of the twentieth century, seen in the historic Montserrat neighbourhood of Buenos Aires.
Kurinto Font Folio (open source , pan-Unicode, 21 typefaces, 506 fonts; v2.196 (July 26, 2020) has coverage of most of Unicode v12.1 plus many auxiliary scripts including the UCSUR) LastResort (fallback font covering all 17 Unicode planes, included with Mac OS 8.5 and up) Lucida Grande (Unicode font included with macOS; includes 1,266 glyphs)*
Japan Highway Public Corporation (divided into three NEXCO group companies in 2005) used its own JH Standard Text until 2010. Since 2010, Hiragino is used for Japanese text, Frutiger for numbers, and Vialog for English text. [30] Johnston: Transport for London: Some Citybus and New World First Bus route displays in Hong Kong: LLM Lettering ...
Agency Gothic (1933, Benton), later digitized as Agency FB by Font Bureau. Agency Gothic Open (1934, Benton) Alternate Gothic, Nos. 1,2,3 (1903, Benton) American Backslant (1934, Benton) American Text (1932, Benton) Americana series (1965, Richard Isbell), this was the last face ever cut by ATF. Announcement Roman + Italic (1918, Benton)
Norwood Roman (1906), made for J. S. Cushing’s Norwood Press. Engravers Old English (1906), based upon Caslon Text and designed in association with "Cowan" or perhaps Joseph W. Phinney. [3] Engravers Old English Bold (1910) Clearface series, designed with the help of his father, Linn Boyd Benton. Clearface (1907) Clearface Bold + Italic
Verdana is a humanist sans-serif typeface designed by Matthew Carter for Microsoft Corporation, with hand-hinting done by Thomas Rickner, then at Monotype.Demand for such a typeface was recognized by Virginia Howlett of Microsoft's typography group and commissioned by Steve Ballmer.