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Keykode (also written as either KeyKode or KeyCode) is an Eastman Kodak Company advancement on edge numbers, which are letters, numbers and symbols placed at regular intervals along the edge of 35 mm and 16 mm film to allow for frame-by-frame specific identification. It was introduced in 1990.
*An E.I.100 film (ISO ca. 160) originally made for selected markets with hot climates (Latin America & SE Asia) without needing cold storage. Derived from Gold v6 films and uses a Kodak Gold print profile. In 2018 Kodak added it to official distribution in Europe. Estar base from 2023 [125] and in 2019 to North America. [126] USA: 135-36 Kodak ...
8 or 10: Discontinued by Polaroid in 2008; reintroduced by Impossible Project in 2010. Kodak Instant: Kodak integral film pack: 1976: 1986: 91 × 67 mm: 10: F Series: Fuji integral film pack: 1981: c. 1990: 91 × 69 mm: Film compatible with Kodak Instant, but in a different cartridge and rated at a (slightly) different speed Kodamatic: Kodak ...
Kodak Wratten filter 80A in its original packaging Wratten numbers are a labeling system for optical filters , usually for photographic use comprising a number sometimes followed by a letter. The number denotes the color of the filter and its spectral characteristics, and these numbers can be grouped into broad categories, but the numbering ...
The 126 film cartridge. 126 film is a cartridge-based film format used in still photography.It was introduced by Kodak in 1963, and is associated mainly with low-end point-and-shoot cameras, particularly Kodak's own Instamatic series of cameras.
The use of dye imbibition for making full-color prints from a set of black-and-white photographs taken through different color filters was first proposed and patented by Charles Cros in 1880. [1] It was commercialized by Edward Sanger-Shepherd, who in 1900 was marketing kits for making color prints on paper and slides for projection. [1]
RA-4 is Kodak's proprietary name for the chemical process most commonly used to make color photographic prints. It is used for both minilab wet silver halide digital printers of the types most common today in photo labs and drug stores, and for prints made with older-type optical enlargers and manual processing.
A typical 1940s–early 1950s black-and-white real photo postcard. A real photo postcard (RPPC) is a continuous-tone photographic image printed on postcard stock. The term recognizes a distinction between the real photo process and the lithographic or offset printing processes employed in the manufacture of most postcard images.
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