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Anatomical variations are mainly caused by genetics and may vary considerably between different populations. The rate of variation considerably differs between single organs, particularly in muscles. [2] Knowledge of anatomical variations is important in order to distinguish them from pathological conditions.
Boris Karloff in James Whale's 1931 film Frankenstein, based on Mary Shelley's 1818 novel.The monster is created by an unorthodox biology experiment.. Biology appears in fiction, especially but not only in science fiction, both in the shape of real aspects of the science, used as themes or plot devices, and in the form of fictional elements, whether fictional extensions or applications of ...
Linburg-Comstock variation - or conjoint flexor pollicis longus and flexor digitorum profundus of the index; Sternalis muscle - or rectus thoracis; Psoas minor muscle; Palmaris profundus muscle; Pterygoideus proprius muscle; Styloauricularis muscle; Transversus nuchae muscle; Accessory popliteus muscle; Tensor fasciae suralis muscle ...
Body horror, biological horror, organic horror or visceral horror is horror fiction in which the horror is principally derived from the unnatural graphic transformation, degeneration or destruction of the physical body. [1] Such works may deal with decay, disease, deformity, parasitism, mutation or mutilation. Other types of body horror include ...
The geneticist Dan Koboldt observes that while science and technology play major roles in fiction, from fantasy and science fiction to thrillers, the representation of science in both literature and film is often unrealistic. [28] In Koboldt's view, genetics in fiction is frequently oversimplified, and some myths are common and need to be debunked.
Group of zombies, during the shooting of the film Meat Market 3. Body horror, or biological horror, is a subgenre of horror fiction that intentionally showcases grotesque or psychologically disturbing violations of the human body or of another creature. [1]
In their book Lurker in the Lobby: A Guide to the Cinema of H. P. Lovecraft, Andrew Migliore and John Strysik write: "Re-Animator took First Prize at the Paris Festival of Fantasy, Science Fiction, and Horror, a Special Prize at the Cannes Film Festival, and even spawned a short-lived series of comic books. Even though it was a hit with ...
Organ transplantation is a common theme in science fiction and horror fiction, appearing as early as 1925, in Russian short story Professor Dowell's Head. [1] It may be used as a device to examine identity, power and loss of power, [2] current medical systems; explore themes of bodily autonomy; or simply as a vehicle for body horror or other fantastical plots.