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The guitar included such high end items as the Grover tuning keys. The Paul Deluxe (Firebrand) is similar to The Paul Standard, except it has a mahogany body [ 3 ] and three-piece mahogany neck. It was manufactured between 1980 and 1986 and was available in Antique Natural, Ebony (1985–86), Natural Mahogany, or Wine Red (1985–86) finish.
Model L-1000 guitar and L1500 bass are true neck-through models that have hallmarks of Morris builds. These are in the visual style of Alembic and other early 80's pieces, utilizing walnut and white ash in natural finishes. These models are easily on par with the Matsumoku-made Westbury and the high-end neck-through Vantage guitars.
Gibson's Generation Collection, introduced in 2022, includes the G-200, with the same shape but simplified appointments, a cutaway and an additional soundhole on the player-facing side called a Player Port. This model has walnut back and sides and a satin lacquer finish. Gibson's brand, Epiphone, produces a more affordable version of the J-200.
A single sharp cutaway Les Paul-style walnut body, set walnut neck, pearl dot inlays, walnut headstock overlay with gold Gibson logo (1978–1981) or Gibson logo branded into the headstock (Firebrand, 1981–1982). Hardware included three-per-side tuners, stop tailpiece, two exposed humbucker pickups, four knobs (two volume, two tone), three ...
In 1979, a low-cost SG made of walnut wood was introduced called "The SG." It had a clear finish and an ebony fingerboard and was accompanied by low-cost "Les Paul" and "ES 335" type guitars. "The Paul" was also made from walnut, but "The ES" was made out of solid mahogany (rather than the semi-solid body they usually produced).
Tonewood choices vary greatly among different instrument types. Guitar makers generally favor quartersawn wood because it provides added stiffness and dimensional stability. Soft woods, like spruce, may be split rather than sawn into boards so the board surface follows the grain as much as possible, thus limiting run-out. This is especially ...
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At the same time of the Melody Maker, Gibson's sister brand Epiphone made a version of the guitar named the Olympic. Initially virtually identical to the double cut Melody Makers, these guitars eventually developed an asymmetrical body with a slightly larger upper horn with the Olympic Special, and a higher-end model which shared a body with the later Epiphone Coronet, Wilshire, and Crestwoods ...
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