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The Duchess is a 2008 historical drama film directed by Saul Dibb, who co-wrote the screenplay with Jeffrey Hatcher and Anders Thomas Jensen, based on the 1998 book Georgiana, Duchess of Devonshire by Amanda Foreman, about the late 18th-century English aristocrat Georgiana Cavendish, Duchess of Devonshire.
The Real Cancun is a 2003 American reality film directed by Rick de Oliveira and written by Brian Caldirola. Inspired by the reality television genre, this film followed the lives of sixteen Americans from March 13 to 23, 2003 as they celebrated spring break in Cancún, Mexico and experienced romantic relationships, emotional strife, or just had a good time.
When ten girls are allowed to go home for Thanksgiving under the promise of returning by eleven P.M., Frankie and "The Duchess", having lost the power and privilege they enjoyed under the departed Matron Brackett, arrange to have Betty kidnapped so she can not return at the appointed time.
A young Miss Georgiana Spencer with her mother, Margaret Georgiana Spencer. Painting by Sir Joshua Reynolds.. The Duchess was born Miss Georgiana Spencer, on 7 June 1757, [4] as the first child of John Spencer (later Earl Spencer) and his wife, Georgiana (née Poyntz, later Countess Spencer), at the Spencer family home, Althorp. [3]
Cancún (/ k æ n ˈ k uː n / kan-KOON, US also / k ɑː n ˈ k uː n / kahn-KOON, [4] Spanish: ⓘ) is the most populous city in the Mexican state of Quintana Roo, located in southeast Mexico on the northeast coast of the Yucatán Peninsula.
The former ME Cancun, now Melody Maker Cancún hotel, where the cast resided. The cast stayed at the ME Cancun resort (later called Melody Maker Cancún) [8] at Boulevard Kukulkan, km. 12 in Cancun, Mexico. The resort is located in the hotel zone between the Beach Palace and Park Royal Piramides resorts.
Denise Gough (born 28 February 1980) [1] is an Irish actress. On television, she is best known for her roles in the BBC Two crime drama Paula (2017), the ITV miniseries Too Close (2021) and the Disney+ series Andor (2022–).
The site's critical consensus reads, "At times plodding and dialogue heavy, The Duchess of Langeais is nevertheless an intriguing and rewarding dissection of class and gender relations." [ 3 ] At Metacritic , which assigns a normalized rating out of 100 to reviews from mainstream critics, the film received an average score of 74, based on 23 ...