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  2. Persian scale - Wikipedia

    en.wikipedia.org/wiki/Persian_scale

    Persian scale on C Play ⓘ.. The Persian scale is a musical scale occasionally found in guitar scale books, along with other scales inspired by Middle Eastern music. It is characterized by the liberal use of half steps (4), augmented seconds (2), and frequent use of chromaticism.

  3. Phrygian dominant scale - Wikipedia

    en.wikipedia.org/wiki/Phrygian_dominant_scale

    The augmented second between its second and third scale degrees gives it an "Arabic" or Middle Eastern feeling to Western listeners. In the Berklee method, it is known as the Mixolydian ♭ 9 ♭ 13 chord scale, a Mixolydian scale with a lowered 9th (2nd) and lowered 13th (6th), used in secondary dominant chord scales for V 7 /III and V 7 /VI.

  4. Oud - Wikipedia

    en.wikipedia.org/wiki/Oud

    The oud (Arabic: عود, romanized: ʿūd, pronounced) [1] [2] [3] is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument [4] (a chordophone in the Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively.

  5. Scale (music) - Wikipedia

    en.wikipedia.org/wiki/Scale_(music)

    Some scales use a different number of pitches. A common scale in Eastern music is the pentatonic scale, which consists of five notes that span an octave. For example, in the Chinese culture, the pentatonic scale is usually used for folk music and consists of C, D, E, G and A, commonly known as gong, shang, jue, chi and yu. [14] [15]

  6. Arabic maqam - Wikipedia

    en.wikipedia.org/wiki/Arabic_maqam

    Arabic maqamat are based on a musical scale of 7 notes that repeats at the octave. Some maqamat have 2 or more alternative scales (e.g. Rast, Nahawand and Hijaz). Maqam scales in traditional Arabic music are microtonal, not based on a twelve-tone equal-tempered musical tuning system, as is the case in modern Western music.

  7. Bağlama - Wikipedia

    en.wikipedia.org/wiki/Bağlama

    The musical scale of the bağlama differs from that of many western instruments – such as the guitar – in that it features ratios that are close to quarter tones. The traditional ratios for bağlama frets are listed by Yalçın Tura: [3] Fret 1: 18/17; Fret 2: 12/11; Fret 3: 9/8; Fret 4: 81/68; Fret 5: 27/22; Fret 6: 81/64; Fret 7: 4/3 ...

  8. Quarter tone - Wikipedia

    en.wikipedia.org/wiki/Quarter_tone

    Quarter tones have their roots in the music of the Middle East and more specifically in Persian traditional music. [1] However, the first evidenced proposal of the equally-tempered quarter tone scale, or 24 equal temperament , was made by 19th-century music theorists Heinrich Richter in 1823 [ 2 ] and Mikhail Mishaqa about 1840. [ 3 ]

  9. Middle Eastern music - Wikipedia

    en.wikipedia.org/wiki/Middle_Eastern_music

    Umm Kulthum. Many instruments originate in the Middle East region.Most popular of the stringed instruments is the oud, a pear-shaped lute that traditionally had four strings, although current instruments have up to six courses consisting of one or two strings each.

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