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The Journal-American was the product of a merger between two New York newspapers owned by William Randolph Hearst: the New York American (originally the New York Journal, renamed American in 1901), a morning paper, and the New York Evening Journal, an afternoon paper. Both were published by Hearst from 1895 to 1937.
Hearst had launched the New York Evening Journal and made Outcault the editor of the daily comics page. He continued to contribute cartoons to it, as well as to the World, where he had Casey’s Corner published, a strip about African-American characters that debuted on February 13, 1898, and moved to the Evening Journal on April 8, 1898. It ...
Another prominent hire was James J. Montague, who came from the Portland Oregonian and started his well-known "More Truth Than Poetry" column at the Hearst-owned New York Evening Journal. [12] When Hearst purchased the "penny paper", so called because its copies sold for a penny apiece, the Journal was competing with New York's 16 other major ...
In 1910, the sports editor of the New York Evening Journal called Herriman back to New York to cover for Tad Dorgan who was in San Francisco covering the "Fight of the Century" between Jack Johnson and Jim Jeffries. [35] Six days after arriving in New York, Herriman began The Dingbat Family, starring E. Pluribus Dingbat and his family. [37]
Arthur Brisbane monument in Central Park, New York City. Brisbane was married to Phoebe Cary (1890–1967), the eldest daughter of polo player Seward Cary and the former Emily Lisle Scatcherd. Phoebe's paternal great-grandfather, New York State Senator Trumbull Cary, was married to Brisbane's aunt, Margaret Elinor Brisbane. [16]
The book encouraged imitations such as Darkness and Daylight; or, Lights and Shadows of New York Life (1892), which somehow appropriated Riis's own photographs. [ 51 ] [ 52 ] Children of the Poor (1892) was a sequel in which Riis wrote of particular children that he had encountered.
He did cartoons for the New York Herald, New York World and the New York Evening Journal. His comic strip Lady Bountiful, debuted in Heart's newspapers in 1902 as a Sunday-comics filler, and the following year jumped to publisher Joseph Pulitzer's The New York World, appearing as the cover feature of May 3, 1903. [2]
The Filipino and the Chick (launched 1898, 1903; moved to the New York Journal) [10] Robert Moore Brinkerhof: All in the Family (launched in 1930; moved in 1933 to United Feature Syndicate, where it ran until 1935) [11] Little Mary Mixup (launched 1917; moved to United Features in 1931 where in ran until 1956) Jack Callahan: Flivvers (1916 ...