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In 2013 the Istanbul Center of Design and the Ensar Foundation ran what they claimed was the first ever symposium of Islamic Arts and Geometric Patterns, in Istanbul. The panel included the experts on Islamic geometric pattern Carol Bier, [ g ] Jay Bonner, [ h ] [ 66 ] Eric Broug, [ i ] Hacali Necefoğlu [ j ] and Reza Sarhangi.
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العربية; تۆرکجه; বাংলা; 閩南語 / Bân-lâm-gú; Башҡортса; Български; Bosanski; Ελληνικά; Español; Esperanto
Sabaic is the best attested language in South Arabian inscriptions, named after the Kingdom of Saba, and is documented over a millennium. [4] In the linguistic history of this region, there are three main phases of the evolution of the language: Late Sabaic (10th–2nd centuries BC), Middle Sabaic (2nd century BC–mid-4th century AD), and Late Sabaic (mid-4th century AD–eve of Islam). [16]
In his book,The Meditation on Ornament, Oleg Grabar departs from Gombrich's European-influenced position to show how ornament can be the subject of a design. He differentiates between filling a space with design, and transforming a space through design. Iran, Kharraqan, mausoleum, 1087, back. Grabar calls attention to the "iconophoric quality ...
Ṣifāt Jazīrat al-'Arab (Arabic: صفة جزيرة العرب, Characteristics Of The Arabian Peninsula) is a book written by the 10th-century chemist, geographer and historian, Abu Muhammad al-Hasan al-Hamdani.
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The furjat (Arabic: فُرجات) or luhuj (Arabic: لُّهُوج) are small rectangular, triangular, square and arrow openings pierced in a wall to promote adequate air movement, lighting to the interior spaces, and the view from inside to outside. These small openings do not have a purely decorative function but are arranged vertically ...