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Serangan Fajar (released internationally as Attack at Dawn) is a 1982 Indonesian war film directed by Arifin C. Noer and produced by G. Dwipayana. Telling the lives of several persons during the Indonesian National Revolution , the film used wayang imagery to show heroism.
Beginning in 1915, and continuing until the 1950s, African-American production companies partnered with independent film companies to create "race films," movies with African-American casts targeted at poor, and primarily Southern, African-American audiences by African-American producers working on much tighter budgets than their Hollywood rivals.
The third and fourth film are set in the 1980s, and touched on politically sensitive topics, in particular several major policy changes implemented during the era, including the forced closure of Chinese schools and Nanyang University, the frustration among Chinese school students, the Singapore elite system, and opposition parties.
This page was last edited on 26 September 2024, at 14:47 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Era Bator Sur is the first film of Dr Bhupen Hazarika. Dr. Bhupen Hazarika was then an active member of Indian people's Theater Association and in the fifties almost all the workers of I. P. T. A. were influenced by the sorrow and happiness, struggle and hope of the common mass and made themselves associated with creative works related to folk music and culture of the common Assamese people.
Taylor Swift attends the Taylor Swift: The Eras Tour concert movie world premiere at AMC The Grove 14 on Oct. 11, 2023 in Los Angeles, Calif. (John Shearer/Getty Images for TAS) (John Shearer via ...
The decade of the 1980s in Western cinema saw the return of studio-driven pictures, coming from the filmmaker-driven New Hollywood era of the 1970s. [1] The period was when the "high concept" picture was established by producer Don Simpson, [2] where films were expected to be easily marketable and understandable.
The picture will also be welcomed as an event movie that can benefit from dynamic pricing practices and play at the country’s many premium large format venues. Imax has close to 783 screens ...