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Many character pieces are composed in ternary form, but that form is not universal in the genre. A common feature is a title expressive of the character intended, such as Stephen Heller's Voyage autour de ma chambre ("Voyage around my room"), an early example of the genre, or Bruckner's Abendklänge ("Evening harmonies").
Songs Inspired by Literature, Chapter One: Justin Wells: The Odyssey: Homer [29] "Lay Down" Bursting at the Seams: Strawbs: The 23rd Psalm of the Book of Psalms from the Hebrew Bible and the Christian Old Testament [132] "The Legend of Enoch Arden" Songs Inspired by Literature, Chapter One: Diane Zeigler "The Legend of Enoch Arden" Alfred Lord ...
This is a list of articles, or subsections of articles, about music inspired by literature. [1] Musical settings of, or music inspired by, poems by Byron; Edgar Allan Poe and music; Music related to Anne Rice's novels; Works inspired by J. R. R. Tolkien [1] Music based on the works of Oscar Wilde; List of songs based on poems; Romeo and Juliet ...
Electronic dance music genres (33 C, 79 P) A. Acid jazz (3 C, 1 P) Afrobeat (2 C, 1 P) Alternative dance (4 C, 4 P) B. Ballet music (2 C, 11 P) Ballroom dance music ...
Opera buffa – Genre of opera characterized by light, humorous, and often satirical themes. Opera seria – Genre of opera with serious, often tragic themes. Semi-opera – Genre that blends spoken drama with musical interludes and elaborate staging. Oratorio – Large composition for orchestra, choir, and soloists, typically based on a ...
The genre has again found favour in Spain and elsewhere: younger people, in particular, have been drawn to its lyrical music and theatrical spectacle in the 1940s and 1950s. Spanish radio and television have dedicated time to zarzuela in 1978, not least in a popular series of programs produced by TVE and entitled Antología de la zarzuela ...
In addition a secret underlying "Enigma" theme runs through the whole work, which has never been definitely discovered; Sea Pictures; Overture Cockaigne (In London Town), Op. 40; The Wand of Youth, Opp. 1a and 1b, two suites based on music he had written as a child; Overture In the South (Alassio), Op. 50; Falstaff, symphonic study, Op. 68
As a musical movement, nationalism emerged early in the 19th century in connection with political independence movements, and was characterized by an emphasis on national musical elements such as the use of folk songs, folk dances or rhythms, or on the adoption of nationalist subjects for operas, symphonic poems, or other forms of music. [1]