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The instrumental cover band Hot Butter released a version on their 1972 album Hot Butter.; In 1972 Shirley Bassey released her cover version of the song on a Universal Artists Records single and has it also on her album And I Love You So from 1972, her live album from Carnegie Hall Concert 1973 as well as her live album from Japan 1974.
It is almost identical to 2 Samuel 22, although verse 1 of the psalm, I love you, O LORD, my strength, is not included in the Samuel version. [2] With 50 verses, this is the longest psalm in Book 1 of the Book of Psalms (Psalms 1-41). The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies.
"Thank You Lord" is a song by American contemporary Christian musician Chris Tomlin featuring American country music singer-songwriter Thomas Rhett and country duo Florida Georgia Line. The song was released as the third single from his thirteenth studio album, Chris Tomlin & Friends (2020), to Christian radio in the United States on August 13 ...
The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...
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In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers add colour. The first line of the text is sung by the sopranos alone, then repeated by all voices, starting in unison but ...
You came from heaven to earth, to show the way From the earth to the cross, my debt to pay From the cross to the grave, from the grave to the sky Lord I lift your name on high. Founds performed the song as a worship leader in his church. It was picked up by Maranatha! Music and initially recorded by the Maranatha! Singers followed by the Praise ...
The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV: C–G–Am–F; V–vi–IV–I: G–Am–F–C
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