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"I Love a Piano" is a popular song with words and music by Irving Berlin.It was copyrighted on December 9, 1920 and introduced in the Broadway musical revue Stop! Look! Listen! when it was performed by Harry Fox and the ensem
The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV: C–G–Am–F; V–vi–IV–I: G–Am–F–C
The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...
The song incorporates Gospel music. "Hallelujah I Love Her So" is a testament to the joyous release of love, featuring a sophisticated horn arrangement and memorable tenor sax solo by Don Wilkerson. Several artists, including Stevie Wonder, Peggy Lee, Eddie Cochran, and Humble Pie have covered the song. [1]
The song then becomes much louder as the band, predominantly piano, plays the main melody for twenty seconds. An instrumental section follows the first verse and chorus, lasting over 45 seconds, with piano playing the title melody, accompanied by guitar and wordless background vocals by Todd Rundgren, Rory Dodd and Kasim Sulton. The lead vocals ...
Triads (or any other tertian chords) are built by superimposing every other note of a diatonic scale (e.g., standard major or minor scale). For example, a C major triad uses the notes C–E–G. This spells a triad by skipping over D and F. While the interval from each note to the one above it is a third, the quality of those thirds varies ...
In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers add colour. The first line of the text is sung by the sopranos alone, then repeated by all voices, starting in unison but ...
Jesse Butler – acoustic piano; Johnny Brown – organ; Reuben Fairfax Jr. – bass; John Toney – drums; Andrew Love – saxophones; Jack Hale – trombone; Ben Cauley – trumpet; Edgar Matthews – trumpet; Fred Jordan – string arrangements
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