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Tulip and willow design for printed textiles (1873) William Morris (1834-1898), a founder of the British Arts and Crafts movement, sought to restore the prestige and methods of hand-made crafts, including textiles, in opposition to the 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop ...
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Silk painting of Trịnh Đình Kiên (1715 - 1786) in 18th century, exhibited in Vietnam National Museum of Fine Arts. Silk painting (Tranh lụa) was a traditional artisanry in Vietnam. There have been some old silk paintings, e.g. portraits of Nguyễn Trãi , Phùng Khắc Khoan , Trịnh Đình Kiên, Phan Huy Cẩn , Phan Huy Ích , Phan ...
Textile printing is related to dyeing but in dyeing properly the whole fabric is uniformly covered with one colour, whereas in printing one or more colours are applied to it in certain parts only, and in sharply defined patterns. [1] In printing, wooden blocks, stencils, engraved plates, rollers, or silkscreens can be used to place colours on ...
The wax can be applied with a variety of tools, including writing with a pen-like canting tool, printing with a cap, or painting with a brush. [31] The canting is the most basic and traditional tool, creating what is known as "written batik" (batik tulis). It allows the creation of very fine, minute patterns but the process is very labour ...
Iridescence in soap bubbles. Iridescence (also known as goniochromism) is the phenomenon of certain surfaces that appear gradually to change colour as the angle of view or the angle of illumination changes.
Duane Slick (born 1961) [1] is a Meskwaki artist and educator of Ho-Chunk descent. He is known for his monochromatic paintings. [ 2 ] [ 3 ] He has taught fine arts at Rhode Island School of Design (RISD) since 1995.
Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
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