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Menken. " Part of Your World " is a song written by lyricist Howard Ashman and composer Alan Menken for Disney 's animated feature film The Little Mermaid (1989). Performed by American actress and singer Jodi Benson in the titular role as Ariel, a mermaid princess, "Part of Your World" is a power ballad in which the main character expresses her ...
The Variations and Fugue on a Theme by Handel, Op. 24, is a work for solo piano written by Johannes Brahms in 1861. It consists of a set of twenty-five variations and a concluding fugue, all based on a theme from George Frideric Handel's Harpsichord Suite No. 1 in B ♭ major, HWV 434. They are known as his Handel Variations.
The title Mikrokosmos comes from the Greek mikros kosmos, meaning "little world", to reflect Bartók's aim that the pieces "deal not only with the rhythmic, but also with melodic, harmonic and pianistic problems." [6] The works were first published with the subtitle "Progressive Pieces for Piano" to emphasise the collection's didactic structure.
"Bohemian Rhapsody" begins with an introduction, then goes into a piano ballad, before a guitar solo leads to an operatic interlude. A hard rock part follows this and it concludes with a coda. The song is in the keys of B ♭ major, E ♭ major, A major and F major, and is predominantly in 4 4 meter.
Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
The song is a piano ballad and features an orchestral arrangement by Richard Hewson that was recorded live with the main track. The recording also includes a guitar solo by Henry McCullough that some commentators view as a highlight of the track. In his improvised playing, McCullough imposed his own style on a Wings song for the first time ...
The piano and flutes gracefully glide up and down the upper octaves. Then, the piano repeats the theme by itself, humorous and secco, before being joined by the orchestra. The tension builds and the music ascends until it reaches a climax, when the opening theme returns with baleful trombones and crashing chords at the top of the piano.
Part One (when they meet) is a guitar driven, hard rocking and bluesy, swaggering and swayful song. Part Two (the marriage) is more piano and string based, a much softer emotional ballad style. Part Three (the death of Evie in childbirth) is more of a disco-rock style, being quicker, relatively urgent and guitar driven track with a strong vocal.
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