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Schliemann claimed that one of the masks he discovered was the mask of King Agamemnon, and that this was the burial site of the legendary king from Homer's Iliad. [4]The masks were likely direct representations of the deceased, symbolizing a continuation of the dead's identity in death, similar to funerary statues and incisions, immortalizing an idealized depiction of the deceased.
An actor in the mask of a bald man, 2nd century BC. New Comedy followed the death of Alexander the Great in 323 BC and lasted throughout the reign of the Macedonian rulers, ending about 260 BC. [5] It is comparable to situation comedy and comedy of manners. [4] The three best-known playwrights belonging to this genre are Menander, Philemon, and ...
After 1100 BC, Greeks began to bury their dead in individual graves rather than group tombs. Athens, however, was a major exception; the Athenians normally cremated their dead and placed their ashes in an urn. [4] During the early Archaic period, Greek cemeteries became larger, but grave goods decreased.
1876 at Mycenae, Greece by Heinrich Schliemann. Present location. National Archaeological Museum, Athens. The Mask of Agamemnon is a gold funerary mask discovered at the Bronze Age site of Mycenae in southern Greece. The mask, displayed in the National Archaeological Museum of Athens, has been described by the historian Cathy Gere as the " Mona ...
Comedy and tragedy masks. The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts. Originating in the theatre of ancient Greece, the masks were said to help audience members far from the stage to understand what emotions the characters were feeling.
Theatre of ancient Greece. Bronze statue of a Greek actor, 150–100 BC. The half-mask over the eyes and nose identifies the figure as an actor. He wears a man's conical cap but female garments, following the Greek custom of men playing the roles of women. Later, slave women were brought in to play minor female characters and in comedy as well.
The scene contains no major action but because the scene contains actors it is important. Actors were seen as celebrities in ancient Greece. Masks were an important part of Greek theatre, for in theatres such as the Theatre of Dionysus 14,000 people came to watch, including prisoners who were released just for theatrical events.
The Trojan Women. The Trojan Women (Ancient Greek: Τρῳάδες, romanized: Trōiades) is a tragedy by the Greek playwright Euripides, produced in 415 BCE. Also translated as The Women of Troy, or as its transliterated Greek title Troades, The Trojan Women presents commentary on the costs of war through the lens of women and children. [1]