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AllMusic's Scott Yanow wrote, "Ella Fitzgerald and Louis Armstrong make for a charming team on this CD… This is primarily a vocal set with the emphasis on tasteful renditions of ballads." This is primarily a vocal set with the emphasis on tasteful renditions of ballads."
The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much attention over the years. The artists were both widely known icons not just in the areas of big band, jazz, and swing music but across 20th century popular music in general. The two African-American musicians produced three official releases together in Ella and ...
Porgy and Bess. (1959) Ella Fitzgerald Sings the Irving Berlin Song Book is a 1958 studio album by the American jazz singer Ella Fitzgerald, with a studio orchestra conducted and arranged by Paul Weston, focusing on the songs of Irving Berlin. [2] [3] It was part of the popular and influential Songbook series.
New Record Mirror. [4] Clap Hands, Here Comes Charlie! is a 1961 studio album by Ella Fitzgerald, with a jazz quartet led by Lou Levy. The painting on the cover is by Jean Dubuffet. The liner notes are by Benny Green of the London Observer .
I'm Making Believe. "I'm Making Believe" is a 1944 song composed by James V. Monaco with lyrics by Mack Gordon. The song first appeared in the film Sweet and Low-Down; the performance by Benny Goodman and His Orchestra was nominated for the Academy Award for Best Original Song. The version recorded by the Ink Spots and Ella Fitzgerald topped ...
Ella is a 1969 studio album by the American jazz singer Ella Fitzgerald and the first of two albums she recorded for the Warner Bros. owned Reprise label. This album continues the theme set on Fitzgerald's previous album, consisting in the main part of cover versions of popular songs from the late 1960s. The production of this recording was in ...
Ella and Louis Again is a studio album by Ella Fitzgerald and Louis Armstrong, released in 1957 on Verve Records. It is the sequel to their 1956 album, Ella and Louis . In contrast to their previous collaboration, this album features seven solo vocal tracks by either Armstrong or Fitzgerald amongst its dozen duet tracks.
Writing for Allmusic, music critic Scott Yanow wrote of the album "As usual, Ella uplifts all of the material and her best moments come on "Somebody Loves Me," a heartfelt "Moonlight Becomes You," a scat-filled "Blue Skies" and (somewhat surprisingly) "St. Louis Blues." Although this was not her most essential release, the formerly obscure Get ...