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Khun Chang Khun Phaen, a Thai poem. Klei Khan Y Dam San, a Vietnamese poem. Koti and Chennayya and Epic of Siri, Tulu poems. Kutune Shirka, sacred yukar epic of the Ainu people of which several translations exist. Lay of Mouse-fate (Musurdvitha), a fantasy epic inspired by animal fable and Arthurian legend.
Leaves of Grass is a poetry collection by American poet Walt Whitman. Though it was first published in 1855, Whitman spent most of his professional life writing, rewriting, and expanding Leaves of Grass[1] until his death in 1892. Six or nine individual editions of Leaves of Grass were produced, depending on how they are distinguished. [2]
Dylan Marlais Thomas (27 October 1914 – 9 November 1953) [1] was a Welsh poet and writer whose works include the poems "Do not go gentle into that good night" and "And death shall have no dominion", as well as the "play for voices" Under Milk Wood. He also wrote stories and radio broadcasts such as A Child's Christmas in Wales and Portrait of ...
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [ 1 ][ 2 ][ 3 ] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
History of poetry. The Deluge tablet, carved in stone, of the Gilgamesh epic in Akkadian, circa 2nd millennium BC. Poetry as an oral art form likely predates written text. [1] The earliest poetry is believed to have been recited or sung, employed as a way of remembering oral history, genealogy, and law. Poetry is often closely related to ...
Poetic devices. Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. [1] They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling.
Epic poetry agrees with Tragedy in so far as it is an imitation in verse of characters of a higher type. They differ in that Epic poetry admits but one kind of meter and is narrative in form. They differ, again, in their length: for Tragedy endeavors, as far as possible, to confine itself to a single revolution of the sun, or but slightly to ...
a nine-line syllabic form with the pattern two, four, six, eight, two, eight, six, four, two. a sequence of five cinquain stanzas functioning to construct one larger poem. a series of six cinquains in which the last is formed of lines from the preceding five, typically line one from stanza one, line two from stanza two, and so on.