Search results
Results from the WOW.Com Content Network
The Thrissil and the Rois is a Scots poem composed by William Dunbar to mark the wedding, in August 1503, of King James IV of Scotland to Princess Margaret Tudor of England. The poem takes the form of a dream vision in which Margaret is represented by a rose and James is represented variously by a lion , an eagle and a thistle . [ 1 ]
The King's Singers include a 12-minute song "A Rough Guide to the Royal Succession (It's just one damn King after another…)" by Paul Drayton, on their 2012 album Royal Rhymes and Rounds. This song bears no relation to the mnemonic verses except for its subject matter, a chronology of the monarchy starting with pre-Norman kings "With names ...
Queenhood" is a poem written by the Poet Laureate of the United Kingdom, Simon Armitage, to mark the Platinum Jubilee of Elizabeth II. [ 1 ] [ 2 ] Tim Adams, writing for The Observer , described the poem as a tribute that "came close to capturing something of the unique service and strangeness of [the Queen's] life".
Listed in red are The Heptarchy, the collective name given to the seven main Anglo-Saxon petty kingdoms located in the southeastern two-thirds of the island that were unified to form the Kingdom of England. This list of kings and reigning queens of the Kingdom of England begins with Alfred the Great, who initially ruled Wessex, one of the seven ...
"The tone of the poem, the line of arguments, the touches of deep personal feeling unmistakably stamp the work as genuine," Studer concluded. "The king's song is a rare and valuable specimen of Anglo-Norman lyric poetry." [8] The poet uses the poetical conventions of Provençal love poetry to lament his fall, the loss of his queen and his ...
The Kingis Quair ("The King's Book") [1] [2] is a fifteenth-century Early Scots poem attributed to James I of Scotland. It is semi-autobiographical in nature, describing the King's capture by the English in 1406 on his way to France and his subsequent imprisonment by Henry IV of England and his successors, Henry V and Henry VI .
The Carmen was most likely composed within months of the coronation of William I as king of England (on Christmas Day, 1066) – probably sometime in 1067, possibly as early as Easter of that year, to be performed at the royal festivities in Normandy, where King William I presided. The motivation for the poem's production and performance is ...
The poem, described by Bate as having been written on "the back of an envelope", was probably composed as an epilogue for a performance of a play in the presence of the queen. Bate believes it was created to be read after As You Like It was given at court on Shrove Tuesday in February 1599.