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Casket with couples, traces of polychromy, certosina work and naked winged boys above "Wedding casket", with certosina work, and missing parts showing wooden framework, c. 1390–1410 The Embriachi workshop ( Italian : Bottega degli Embriachi ) was an important producer of objects in carved ivory and carved bone , set in a framework of inlaid wood.
The Wedding at Cana (Italian: Nozze di Cana, 1562–1563), by Paolo Veronese, is a representational painting that depicts the biblical story of the Wedding at Cana, at which Jesus miraculously converts water into red wine (John 2:1–11).
From the late 1850s, neo-Renaissance cassoni were confected for dealers like William Blundell Spence, Stefano Bardini or Elia Volpi in order to present surviving cassone panels to clients in a more "authentic" and glamorous presentation. [2] A typical place for such a cassone was in a chamber at the foot of a bed that was enclosed in curtains.
The Feast of the Gods, Giovanni Bellini and Titian (1514–1529), also with Priapus and Lotis, also bottom right. One of the earliest depictions is a cassone panel by Bartolomeo di Giovanni from the 1490s (Louvre, illustrated); this is paired with a panel of the Procession of Thetis, another common way of depicting a wedding; artists were unsure what form an actual Olympian wedding ceremony ...
The Marriage of the Virgin, also known as Lo Sposalizio, is an oil painting by the Italian High Renaissance artist Raphael.Completed in 1504 for the Franciscan church of San Francesco, Città di Castello, the painting depicts a marriage ceremony between Mary and Joseph.
Venus and Mars (or Mars and Venus) is a panel painting of about 1485 by the Italian Renaissance painter Sandro Botticelli. [2] It shows the Roman gods Venus, goddess of love, and Mars, god of war, in an allegory of beauty and valour. The youthful and voluptuous couple recline in a forest setting, surrounded by playful baby satyrs.
This was followed by the two books for which Burckhardt is best known today, his 1860 Die Cultur der Renaissance in Italien ("The Civilization of the Renaissance in Italy") (English translation, by S. G. C. Middlemore, in 2 vols., London, 1878), and his 1867 Geschichte der Renaissance in Italien ("The History of the Renaissance in Italy"). The ...
Italy was the main centre of artistic developments throughout the Renaissance (1300–1600), beginning with the Proto-Renaissance of Giotto and reaching a particular peak in the High Renaissance of Antonello da Messina, Leonardo da Vinci, Michelangelo and Raphael, whose works inspired the later phase of the Renaissance, known as Mannerism ...