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Peter Quince is a character in William Shakespeare's A Midsummer Night's Dream. He is one of the six mechanicals of Athens who perform the play which Quince himself authored, "The Most Lamentable Comedy and Most Cruel Death of Pyramus and Thisbe " for the Duke Theseus and his wife Hippolyta at their wedding.
The origin of Bottom's farewell to Peter Quince in Act I, scene 2 has become the topic of some disagreement among Shakespeare scholars. Parting with Quince, Bottom instructs his fellow actor to be at the next rehearsal, saying: "Hold or cut bowstrings." The debate is centred on whether this phrase arose from military or civilian life.
The Peter Quince of the title is the character of one of the "mechanicals" in Shakespeare's A Midsummer Night's Dream. Stevens' poem titles are not necessarily a reliable indicator of the meaning of his poems, but Milton Bates suggests that it serves as ironic stage direction, the image of "Shakespear's rude mechanical pressing the delicate ...
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Flute is an old, excited actor who is disappointed when he finds he is meant to play a woman (Thisbe) in their interlude before the duke and the duchess. [2] He generally is portrayed using a falsetto voice. [citation needed] He is an unsure actor who asks many questions. [citation needed]
Gluck (born Hannah Gluckstein; 13 August 1895 – 10 January 1978) was a British painter, who rejected any forename or honorific (such as "Miss" or "Mr"), also using the names Peter and Hig. Gluck joined the Lamorna artists' colony near Penzance , and was noted for portraits and floral paintings, as well as a new design of picture-frame.
Self-Portrait is a 1623-1630 self-portrait painting by Peter Paul Rubens. ... Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; ...
The Self-portrait of 1613–1614 is the first surviving self-portrait by the Flemish artist Anthony van Dyck, showing him aged about fifteen. At that date he was still working for Hendrick van Balen but was about to join Peter Paul Rubens 's studio. [ 1 ]