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Mural of Tlālōcān, Tepantitla, Teotihuacan culture. Tlālōcān (Nahuatl pronunciation: [t͡ɬaːˈloːkaːn̥]; "place of Tlāloc") is described in several Aztec codices as a paradise, ruled over by the rain deity Tlāloc and his consort Chalchiuhtlicue. It absorbed those who died through drowning or lightning, or as a consequence of ...
Teotihuacan (/ t eɪ ˌ oʊ t iː w ə ˈ k ɑː n /; [1] Spanish: Teotihuacán, Spanish pronunciation: [teotiwa'kan] ⓘ; modern Nahuatl pronunciation ⓘ) is an ancient Mesoamerican city located in a sub-valley [2] of the Valley of Mexico, which is located in the State of Mexico, 40 kilometers (25 mi) northeast of modern-day Mexico City.
In Teotihuacan, thousands of people visit for the event, many dressed in white with a red scarf or other accessory. Many dance, burn incense and chant but the defining ritual is to stand at the top of the Pyramid of the Sun, with arms outstretched facing the sun in the morning on the eastern horizon. [2] Most climb this pyramid between 9am and ...
The Temple of the Feathered Serpent is the third largest pyramid [1] at Teotihuacan, a pre-Columbian site in central Mexico (the term Teotihuacan, or Teotihuacano, is also used for the whole civilization and cultural complex associated with the site). This pre-Columbian city rose around the first or second century BCE and its occupation ...
The Moral Painting of Teotihuacan. Washington, D.C., 1973. Comprehensive survey and discussion of Teotihuacan murals at time of publication, including some that feature the Feathered Serpent. Nicholson, H. B. “The ‘Feathered Serpents’ of Copan.” In The Periphery of the Southeastern Classic Maya Realm, edited by Gary W. Pahl, pp. 171 ...
Public ritual practices could involve food, storytelling, and dance, as well as ceremonial warfare, the Mesoamerican ballgame, and human sacrifice. [5] The cosmology of Aztec religion divides the world into thirteen heavens and nine earthly layers or netherworlds. [6]
The culture of an individual Mexican is influenced by familial ties, gender, religion, location, and social class, among other factors. Contemporary life in the cities of Mexico has become similar to that in the neighboring United States and in Europe, with provincial people conserving traditions more than city dwellers.
Defining characteristics of the Great Goddess are a bird headress and a nose pendant with descending fangs. [10] In the Tepantitla and Tetitla murals, for example, the Great Goddess wears a frame headdress that includes the face of a green bird, generally identified as an owl or quetzal, [11] and a rectangular nosepiece adorned with three circles below which hang three or five fangs.