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A (keyless) wooden flute. The Irish flute is a simple system, transverse flute which plays a diatonic (Major) scale as the tone holes are successively covered and uncovered. . Most flutes from the Classical era, and some of modern manufacture, include various metal keys or additional tone holes (such as a seventh, "pinky-hole", to access one lower note, typically the seventh degree of the ...
Chôros No. 2 for flute and clarinet; Chôros No. 7 for flute, oboe, clarinet, alto saxophone, bassoon, violin and cello with tam-tam ad lib; Quinteto (em forma de chôros) for flute, oboe, cor anglais, clarinet and bassoon; Carl Maria von Weber: Trio for Piano, Flute and Cello in G minor, Op. 63, J. 259 (1818-19)
Simple system flute most commonly refers to the type of flute manufactured and favored by classical European musicians during the Classical era.This type of flute is the direct precursor of, and was made obsolete within the art music world by, the introduction of the Boehm system flute.
Brian Dunning (21 December 1951 – 10 February 2022) was an Irish flautist and composer, [1] [2] largely known for being a member of the Celtic band Nightnoise. [3] He had both Celtic and jazz influences early on. He studied jazz and classical music, and was a student of James Galway. [4]
He started piano lessons at age eight, and developed an interest in the flute by age 10, such that he began to teach himself how to play the flute. Following early private lessons from clarinet teachers, at age 16, he began private lessons with Simon Hunt and Averil Williams at the Guildhall School of Music and Drama .
Paddy Carty (1929–1980) [1] was a three-time all-Ireland champion Irish flute player from Loughrea, County Galway.He was well known for his flowing rhythm and his virtuoso skill on his Radcliff System flute, on which he could play freely in key signatures usually considered to be difficult on the Irish flute.
He began playing tin whistle at age 12 and went on to flute in his early teens inspired by local musicians and the early recordings of Irish music made in America. He received further inspiration from local flute players such as Noel Lenaghan, Michael Clarkson, Sam Murray and Brendan O'Hare.
The Fantaisie was commissioned by and dedicated to Paul Taffanel in 1898 for the "Concours de flute", a flute competition held by the Conservatoire de Paris.Taffanel, who took over a flute class in 1893, regularly commissioned new compositions for the annual competition, and over time amassed a whole repertoire of technically challenging pieces suitable for the Conservatoire's requirements. [3]
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