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3-D audio (processing) is the spatial domain convolution of sound waves using head-related transfer functions. It is the phenomenon of transforming sound waves (using head-related transfer function or HRTF filters and cross talk cancellation techniques) to mimic natural sounds waves, which emanate from a point in a 3-D space.
As the name implies, sealing encloses the sound waves coming from the back of the speaker so that they cannot reach the sound waves in front. [3] Sealing makes for a better articulated, more accurate sound, and requires less accuracy in construction, but does not play low notes with as much intensity or range.
In sound and music, an envelope describes how a sound changes over time. For example, a piano key, when struck and held, creates a near-immediate initial sound which gradually decreases in volume to zero. An envelope may relate to elements such as amplitude (volume), frequency (with the use of filters) or pitch.
The iconic ABBA 1976 song was inspired by the musical Cabaret and is all juicy, darker bass-registers, an unrelenting disco beat and uncharacteristically hammered, insistent keys through the treble.
The challenge in talking about Jamie XX’s brilliant new album “In Waves” is trying to describe what “kind” of music it is. As the main songwriter and producer in the British trio the XX ...
Once we had the guitar track down, we stuck a speaker cabinet outside—this was up at the studio in Morin Heights, Quebec—and we recorded the natural echo off the mountains in combination with the sound of splashing water and Geddy's voice. We didn't use any sort of synthetic echo on the water track. [3]
The first reverb effects, introduced in the 1930s, were created by playing recordings through loudspeakers in reverberating spaces and recording the sound. [2] The American producer Bill Putnam is credited for the first artistic use of artificial reverb in music, on the 1947 song "Peg o' My Heart" by the Harmonicats. Putnam placed a microphone ...
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.