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The biggest selling recording of the song was sung by Dean Martin (issued as Capitol Records catalog number 3352), reaching number 27 on the Billboard chart in 1956. [3] Jerry Vale also had a major recording (Columbia Records catalog number 40634) of the song in the same year, which peaked at number 30. [4]
"Inamorata" is a song by American thrash metal band Metallica, first released on their eleventh studio album 72 Seasons as the final track, and as of its release is the longest original song by the band, being 1 minute and 13 seconds longer than the previous record holder, "Suicide and Redemption" from the 2008 album Death Magnetic.
Innamorata (song), a 1955 song; Innamorata (TV series), a Filipino drama series; Innamorata (album), an album by Pat Benatar; Innamorati, stock characters within the theatre style known as Commedia dell'arte
Inamorata is the Latin word for a person's female lover. It may also refer to: Inamorata, a 1984 album by Poco; Inamorata (novel), a 2004 novel by Joseph Gangemi; Inamorata (brand), a 2017 apparel brand "Inamorata", a song by Animals as Leaders from their self-titled debut album, 2009 "Inamorata", a song by Northlane from Obsidian, 2022
The song's title, which is the same as its parent album, is based on a Francesco Alberoni book, Le Choc amoureux, meaning Innamoramento in Italian and s'énamourer in Old French. Farmer explained that the song is about the fact of loving "in its larger spectrum". [ 3 ]
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The song's English lyrics were written by Barry Mason as "A Man Without Love". The most popular version was recorded in 1968 by Engelbert Humperdinck, who in the UK hit #2 on the chart. [8] In the US, the Humperdinck version went to #19 on the Hot 100 and #3 on the Easy Listening chart. [9] It was the title track of his third LP.
"Porque te vas" is a romantic ballad [17] that incorporates elements of funk, disco and pop music, featuring a predominant use of the saxophone. [18] Critic Julián Molero of Lafonoteca described the track's instrumentation as "full of self-confidence with almost mocking interventions of the brasses and the crash of the drums releasing unexpected blows". [19]