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2. Habanera (aria) - Wikipedia

   en.wikipedia.org/wiki/Habanera_(aria)

   Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen.

3. Toreador Song - Wikipedia

   en.wikipedia.org/wiki/Toreador_Song

   Like Carmen's Habanera, it is built on a descending chromatic scale as Escamillo describes his experiences in the bullfighting ring. In the chorus praising the toreador, the music turns celebratory and confident in character. [1] Frasquita, Mercédès, Carmen, Moralès, Zuniga and the chorus join for the repeat of the refrain. [2]

4. Carmen Fantasy (Sarasate) - Wikipedia

   en.wikipedia.org/wiki/Carmen_Fantasy_(Sarasate)

   A version with piano accompaniment was published in 1882. [2] [3] It was dedicated to Joseph Hellmesberger. [4] The piece contains an adaptation of the Aragonaise, Habanera, an interlude, Seguidilla, and the Gypsy Dance. Sarasate chose specifically the music with a Spanish character. [1] A performance takes approximately 12 minutes. [4]

5. Carmen Suites (Bizet/Guiraud) - Wikipedia

   en.wikipedia.org/wiki/Carmen_Suites_(Bizet/Guiraud)

   The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration. However the order of the musical allusions are in reversed chronological order, and do not adhere to the operatic versions ...

6. Carmen - Wikipedia

   en.wikipedia.org/wiki/Carmen

   Carmen sings the "Habanera", act 1. Bizet, who had never visited Spain, sought out appropriate ethnic material to provide an authentic Spanish flavour to his music. [25] Carmen's habanera is based on an idiomatic song, "El arreglito", by the Spanish composer Sebastián Yradier (1809–65).

7. Carmen (1949 ballet) - Wikipedia

   en.wikipedia.org/wiki/Carmen_(1949_ballet)

   The music is taken from the 1875 opera of the same name by Georges Bizet, arranged and re-orchestrated by Tommy Desserre. The scenario is based on the 1845 novella by Prosper Mérimée . The principal roles were created for Petit's wife-to-be Zizi Jeanmaire (Carmen), Roland Petit (Don José) and Serge Perrault (Le Toréador).