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A revised edition, known as the Nova Bíblia de Jerusalém (cf. New Jerusalem Bible) appeared in 2002. A commission led by the Franciscan Ludovico Garmus produced in 1982 a complete Bible, published by Vozes, and another translation was provided by the Santuário publishing house in the same year.
Ferreira de Almeida was born in 1628 in Várzea de Tavares, Kingdom of Portugal. He began his translation of the Bible into Portuguese at the age of 16 (after converting to Protestantism at 14), and continued translating until his death. He translated the New Testament completely and most books of the Old Testament (Hebrew Bible). The ...
Casa Publicadora das Assembléias de Deus (CPAD; Portuguese for Publishing House of the Assemblies of God) is a Brazilian Christian publishing house. Its activities officially began in March 1940, when it gave its legal organization in the city of Rio de Janeiro.
The Assembleias de Deus have a non-territorial episcopal polity (called ministério) [4] where each ministério is a directed by a mother church under a pastor-president (also called bishop or apostle in various ministérios) with affiliated congregations and preaching points.
Casa de Dios is a church in Guatemala. [citation needed] The church is led by Pastors Carlos "Cash" Luna and Sonia Luna. As of 2011 Casa de Dios was attended by over 25,000 people. The church services are aired on Enlace TBN's programs "Casa de Dios" and "Noches de Gloria". [1]
João de Deus de Nogueira Ramos (8 March 1830 – 11 January 1896), better known as João de Deus, was a Portuguese poet, pedagogue and editor who turned his attention to Portuguese educational problems and wrote the famous didactic book Cartilha Maternal (1876), used to teach the Portuguese language across the country during the 19th and 20th centuries.
An armed gang chases after an escaped chicken in a favela called the City of God.The chicken stops between the gang and a young man nicknamed Rocket. In the 1960s, three impoverished, amateur thieves known as the "Tender Trio" – Shaggy, Clipper, and Rocket's older brother, Goose – rob business owners and share the money with the community who, in turn, hide them from the police.
It closes the trilogy focused on the character of João de Deus, the protagonist, embodied in a poor devilish human good, with repeated autobiographical references, in a sarcastic and moody style. The intended result is to draw a caricature of someone less virtuous than vicious, author and actor of unqualified comedies in a hypocritical world ...