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Drawing of the mouthpiece of an aulos. [5]There were several kinds of aulos, single or double.The most common variety was a reed instrument. [6] Archeological finds, surviving iconography and other evidence indicate that it was double-reeded, like the modern oboe, but with a larger mouthpiece, like the surviving Armenian duduk. [7]
It is pitched in C, four octaves below the concert flute (and three octaves below the bass flute, two octaves below the contrabass flute, and one octave below the double contrabass flute). It is made of PVC and wood, its tubing is over 8 metres (26 ft) in length and its lowest note is C 0 (16 Hz), below what is generally considered the range of ...
The standard concert flute, also called C flute, Boehm flute, silver flute, or simply flute, is pitched in C and has a potential range of three and a half octaves starting from the note C 4 . The flute's highest pitch is usually given as C 7 or (in more modern flute literature) D 7.
The English verb flout has the same linguistic root, and the modern Dutch verb fluiten still shares the two meanings. [15] Attempts to trace the word back to the Latin flare (to blow, inflate) have been called "phonologically impossible" or "inadmissable". [14] The first known use of the word flute was in the 14th century. [16]
An open end-blown flute similar to the kaval is used by the Bashkirs and the Caucasians; it is called by such terms as khobyrakh, Quray and choor or shoor. A typical khobyrakh is a 70 cm-wide, smooth, hollow pipe made of an umbel (hollow stem of a big, parasol-like umbellifer) or wood, with 3 or sometimes 6 finger-holes.
A vessel flute with two fingering holes of the same size can sound three notes (both closed, one open, both open). A vessel flute with two fingering holes of different sizes can sound four notes (both closed, only the smaller hole open, only the bigger hole open, both open). The number of notes increases with the number of holes:
While there is no exact date that the alto flute was created, large flutes have existed for several hundred years. [1] Some problems with early alto flute design included the long length of the tube, troublesome cross fingerings, inconsistent intonation, finger holes that were too wide across, and how far one’s arm had to be stretched in order to reach the finger holes, particularly in the ...
The solid "stop” near the mouth hole or embouchure on a pipe that is blown transversely is analogous to it. This provides historical justification for using the term "fipple flute" to designate a recorder (cf. the German term Blockflöte). Subsequent authors have used the term in that sense but differ in the element of the mechanical ...
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