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"Gracias a Dios" (English: "Thanks God") is a song written by Mexican singer-songwriter Juan Gabriel and recorded by Thalía. It was released as the fifth [1] single from Thalía's fourth studio album En éxtasis (1995). The song was one of her most popular singles at the time and a big radio hit, peaking number one in many Latin countries.
Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz and almost any other genre. A series of chords is called a chord progression. [1] One example of a widely used chord progression in Western traditional music and blues is the 12 bar blues progression.
Gracias a Dios (English: Thanks to God) may refer to: Gracias a Dios Department, a department of Honduras; Cabo Gracias a Dios, a cape in Honduras "Gracias a Dios" (song), a song by Mexican singer Thalía
Deo gratias has been set to music by several composers.. Guillaume de Machaut's Messe de Nostre Dame (mid 1300s) is a complete setting of the Ordinary and thus ends with Ite, missa est. / Deo gratias, both sung in the same setting.
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The song "Gracias a la vida" was considered as a "humanist hymn" by Chilean music journalist Marisol García. [4] In 2009 the former president Michelle Bachelet expressed her "affection and admiration" for Mercedes Sosa and "Gracias a la vida" with the following phrase: «As you know today, "Gracias a la vida" is a song of ours, but also a universal one.
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A suspended chord (or sus chord) is a musical chord in which the (major or minor) third is omitted and replaced with a perfect fourth or a major second. [1] The lack of a minor or a major third in the chord creates an open sound, while the dissonance between the fourth and fifth or second and root creates tension.