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Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time.
Other special features within the collection are the group of works by concrete artists from Great Britain (including Barbara Hepworth and Ben Nicholson) and the section of concrete photography (with works by for example, Kilian Breier, Heinz Hajek-Halke, Heinrich Heidersberger, Gottfried Jäger, Peter Keetman, and Otto Steinert).
The Grupo Madí was one of two prominent groups of artists pursuing abstract art in Argentina. The other was Arte Concreto-Invencíon, or AACI, founded in 1945. [5] The Madí art movement formed as a reaction to the AACI, whose art was perceived by the Madí group as being too strict in their method of creating concrete art, resulting in a lack of expression in their artworks.
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Peter C. Ruppert (1935–2019) [3] [4] was a businessman and Art collector, who started in the 70s of the 20th century to collect works of Concrete art with a focus on Concrete art after 1945. His collection includes around 418 works by 254 European Concrete art artists from the end of World War II onwards from almost all parts of Europe. [5]
Lygia Pape (7 April 1927 – 3 May 2004) was a Brazilian visual artist, sculptor, engraver, and filmmaker, who was a key figure in the Concrete movement and a later co-founder of the Neo-Concrete Movement in Brazil during the 1950s and 1960s. [1]
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Los Diez was the subject of the exhibition Concrete Cuba at the David Zwirner Gallery displayed at the gallery's London location in 2015 and their New York City venue in 2016. [5] [6] [7] An elaborate accompanying catalogue was produced and features an interview with Pedro De Oraá, then last surviving member of the group, by Lucas Zwirner. [8]
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