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In 1988 Wozencroft's book on his colleague Neville Brody was published as The Graphic Language of Neville Brody. Wozencroft and Brody went on to found and publish FUSE – an experimental publication of graphics and experimental fonts. According to his biography, [3] Wozencroft has had extensive
Neville Stanley Brody (born 23 April 1957) is an English graphic designer, typographer and art director. [1] He is known for his work on The Face magazine (1981–1986), Arena magazine (1987–1990), and designing record covers for artists such as Clock DVA, Cabaret Voltaire, The Bongos, 23 Skidoo and Depeche Mode.
Fetish Records was a British independent record label.Its artist roster consisted of largely early industrial, experimental, and post-punk groups. [1] It was also a home to the early works of graphic designer Neville Brody, who created artwork for releases as art director for the label.
Industria is a sans-serif font designed in 1984 by Neville Brody. It was originally designed for use in The Face magazine. [1] The font features elements of geometric precision. [2] It is licensed by the Linotype type foundry [3] and released publicly in 1989. [4] In the book 100 Best Typefaces Ever, the Industria font ranked at number 72. [5] [6]
FontShop International was an international manufacturer of digital typefaces (), based in Berlin.It was one of the largest digital type foundries.. The FontFont library of fonts contains designs by 160 type designers, [1] among them renowned designers such as Peter Biľak, Evert Bloemsma, Erik van Blokland, Neville Brody, Martin Majoor, Albert-Jan Pool, Hans Reichel, Just van Rossum, Fred ...
A 3 ½-hour, character-driven film — complete with an intermission — might seem like a relic from the past. But that was part of the allure of 'The Brutalist,' its producers say.
British graphic designer Neville Brody, who had designed The Face, designed Arena's launch appearance. The headquarters of Arena was in London. [ 3 ] The magazine was part of Bauer Media [ 4 ] and featured articles on food, films , fitness , sex , music, electronics , and books.
Speaking in a thick accent, Brody, at first, makes László dour and tentative and seemingly rather harmless: a desperate refugee just keeping his head down and trying to carry on.
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