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The word jigai (自害) means "suicide" in Japanese. The modern word for suicide is jisatsu (自殺); related words include jiketsu (自決), jijin (自尽) and jijin (自刃). [14] In some popular western texts, such as martial arts magazines, the term is associated with the suicide of samurai wives. [15]
[a] Sometimes they are written in the three-line, seventeen-syllable haiku form, although the most common type of death poem (called a jisei 辞世) is in the waka form called the tanka (also called a jisei-ei 辞世詠) which consists of five lines totaling 31 syllables (5-7-5-7-7)—a form that constitutes over half of surviving death poems ...
The complete cut-slash-withdraw motion is called daki-kubi. After the dead samurai falls, the kaishakunin, with the same slow, silent style used when unsheathing the katana, shakes the blood off the blade (a movement called chiburi) and returns the katana to the scabbard (a movement called noto), while kneeling towards the fellow samurai's dead ...
Honor suicide has deep roots historically in Japanese society, most famously in the form of harakiri (also known as seppuku). The 1962 film Harakiri directed by Masaki Kobayashi gives a direct and coherent portrayal of the act, involving ritualistic suicide by disembowelment. This would be voluntary and most often carried out by samurai who had ...
Armoured samurai with sword and dagger, c.1860 Because the right was defined as a part of self defence, kiri-sute gomen had a set of tight rules. The strike had to follow immediately after the offence, meaning that the striker could not attack someone for a past grievance or after a substantial amount of time.
Harakiri, a Japanese film by Masaki Kobayashi "Hara-Kiri: Murder", a 1974 episode of the US television series Hawaii Five-O; Harakiri, a Turkish film by Ertem Göreç; Harakiri, a Dutch film by Jimmy Tai; Hara-Kiri: Death of a Samurai, a 2011 Japanese film by Takashi Miike, the remake of the 1962 film
The event is known in Japan as the Akō incident (赤穂事件, Akō jiken), sometimes also referred to as the Akō vendetta. The participants in the revenge are called the Akō-rōshi (赤穂浪士) or Shi-jū-shichi-shi (四十七士) in Japanese, and are usually referred to as the "forty-seven rōnin".
Even though the kijin and onryō of Japanese Buddhist faith have taken humans' lives, there is the opinion that there is no "death god" that merely leads people into the world of the dead. [6] In Postwar Japan, however, the Western notion of a death god entered Japan, and shinigami started to become mentioned as an existence with a human nature ...