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The bigger the tassels, the more important the person. This red-and-white keffiyeh is associated with Jordan and is its national symbol. [10] The shemagh is worn mostly in Jordan and by Bedouin communities. [11] It is made from cotton. The Jordanian shemagh and the Palestinian keffiyeh are different in regard to color and geographical meanings ...
A keffiyeh — sometimes spelled kufiyya or kaffiyeh in English — is a traditional scarf worn across many parts of the Middle East. ... But keffiyehs of all colors have been worn by Palestinian ...
The Palestinian version of the keffiyeh The Palestinian keffiyeh is a distinctly patterned black-and-white keffiyeh. White keffiyehs had been traditionally worn by Palestinian peasants and bedouins to protect from the sun, when Palestine was part of the Ottoman Empire. Its use as a symbol of Palestinian nationalism and resistance dates back to the 1936–1939 Arab revolt in Palestine, which ...
If one wishes to investigate the symbolism of the keffiyeh, I believe that it would be best to explore the symbolism of its color, rather than the shape. If I am not mistaken, the keffiyeh in Arab society is that the black-and-white one is considered a "commoner's" keffiyeh, as opposed to the red-and-white version which is the "royal" keffiyeh.
Nativity scenes around the world have added a new accessory this Christmas season: the keffiyeh. In a controversial take on the classic holiday display, some churches are replacing the baby Jesus ...
How the keffiyeh became a symbol of resistance. In addition to symbolizing cultural identity, the keffiyeh has also taken on a political dimension, like many other garments tied to cultural or ...
Across the world, the black-and-white keffiyeh head scarf has become an emblem of solidarity with the Palestinian cause as war rages between Israel and Hamas militants in Gaza. Supporters of ...
David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation." [ 10 ] Wade argues that the aim is to transfigure, turning mosques "into lightness and pattern", while "the decorated pages of a Qur’an can become windows onto the infinite."