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During the 13th century, Saint Thomas Aquinas sought to reconcile Aristotelian philosophy with Augustinian theology. Aquinas employed both reason and faith in the study of metaphysics, moral philosophy, and religion. While Aquinas accepted the existence of God on faith, he offered five proofs of God’s existence to support such a belief.
The Vision of Saint Thomas Aquinas, also known as the Mystical Vision or Ectasy of Saint Thomas Aquinas, is an altarpiece painted by the Florentine artist Santi di Tito in 1593 for the church of San Marco in Florence, Italy. The painting was commissioned by Sebastiano Pandolfini del Turco for his family chapel in San Marco. [1]
It shows Saint Thomas Aquinas ascending to Heaven, where Christ, the Virgin Mary, the Apostle Paul, and Saint Dominic are enthroned, as the Holy Spirit descends upon him in the form of a dove; and surrounded by four other Doctors of the Church: Pope St. Gregory the Great, Saint Ambrose, Saint Jerome, and Saint Augustine of Hippo.
Aquinas says "Faith has the character of a virtue, not because of the things it believes, for faith is of things that appear not, but because it adheres to the testimony of one in whom truth is infallibly found". [7] [8] Aquinas further connected the theological virtues with the cardinal virtues.
Thomas Aquinas OP (/ ə ˈ k w aɪ n ə s / ⓘ ə-KWY-nəs; Italian: Tommaso d'Aquino, lit. 'Thomas of Aquino'; c. 1225 – 7 March 1274) was an Italian [6] Dominican friar and priest, the foremost Scholastic thinker, [7] as well one of the most influential philosophers and theologians in the Western tradition. [8]
Thomistic sacramental theology is St. Thomas Aquinas's theology of the sacraments of the Catholic Church. It can be found through his writings in the 13th-century works Summa contra Gentiles and in the Summa Theologiæ .
The painting is a complex arrangement exalting the role of Thomas Aquinas as a scholar of religious knowledge, his placement among the Four Evangelists and philosophers. In the center of the panel, the largest figure is the seated tonsured monk St Thomas Aquinas, below a Christ inside a mandorla. Linear rays tie his work to the Four Evangelists ...
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